EXTRA

We dig up some unreleased fragments of the interview with Maia Urstad that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Maria F. Dolores that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Melanie Smith that we were unable to include the first time around.

Transcript of PROBES #24, curated by Chris Cutler.

We dig up some unreleased fragments of the interview with Domènec that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Martha Rosler that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Jennifer Lucy Allan that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Yvonne Rainer that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Germán Labrador that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with val flores that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Griselda Pollock that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Nina Power that we were unable to include the first time around.

Transcript of PROBES #23, curated by Chris Cutler.

We dig up some unreleased fragments of the interview with Hasan Elahi that we were unable to include the first time around.

Transcript of PROBES #22, curated by Chris Cutler.

We dig up some unreleased fragments of the interview with María Salgado that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with André Lepecki that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Enzo Traverso that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Matthew Fuller that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Laura Mulvey that we were unable to include the first time around.

Transcript of PROBES #21, curated by Chris Cutler.

We dig up some unreleased fragments of the interview with Yayo Herrero that we were unable to include the first time around.

Most residents of El Prat de Llobregat believe that the aeroplanes are their city’s distinctive sound, but they no longer fly over their heads, they fly over the frogs instead.

We dig up some unreleased fragments of the interview with Miren Etxezarreta that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Zach Blas that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with John Mason that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Alberto Berzosa that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Cildo Meireles that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Cildo Meireles that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Robert Janz that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Kendell Geers that we were unable to include the first time around.

Transcript of PROBES #20, curated by Chris Cutler.

We dig up some unreleased fragments of the interview with Carlos Garaicoa that we were unable to include the first time around.

Transcript of PROBES #19, curated by Chris Cutler.

We dig up some unreleased fragments of the interview with Andrea Fraser that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Christoph Draeger that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Cuauhtémoc Medina that we were unable to include the first time around.

Transcript of PROBES #18, curated by Chris Cutler.

SPA Simultaneous translation of Enric Farrés Duran podcast, performed by the artist.

We dig up some unreleased fragments of the interview with Jacob Kirkegaard that we were unable to include the first time around.

<ENG> In 2014, we interviewed Danish artist Jacob Kirkegaard as part of a research project entitled ON LISTENING. This podcast takes us back to that conversation, where Kirkegaard reflected on the importance of listening and argues that sound art can create purely sensory spaces that go beyond our immediate perception, helping us to grasp the unfathomable.

We dig up some unreleased fragments of the interview with Alvin Lucier that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Natalie Jeremijenko that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Lúa Coderch that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Toni Serra/Abu Ali that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Martí Anson that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Iván Argote that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Pascal Gielen that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Enric Farrés Duran that we were unable to include the first time around.

We trace how the gamelan collided with Western notions of music and exotic percussion spread like a virus into every field.

In this document we share Jordi Ferreiro's preparatory notes on his personal research about ducational situations outside the norm.

We dig up some unreleased fragments of the interview with Manolo Laugillo that we were unable to include the first time around.

A conversation between Déborah Gros (Syntone) and Anna Ramos about Ràdio Web MACBA.

We dig up some unreleased fragments of the interview with Angela Dimitrakaki that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Matt Mullican that we were unable to include the first time around.

In PROBES #16, banjos, mandolins, balalaikas and the jew’s harp are made to do unaccustomed and groundbreaking things.

We dig up some unreleased fragments of the interview with Daniela Ortiz that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Jorge Ribalta that we were unable to include the first time around.

Transcript of PROBES #15, curated by Chris Cutler.

We dig up some unreleased fragments of the interview with Ignacio Uriarte that we were unable to include the first time around.

Transcript of PROBES #14, curated by Chris Cutler.

We dig up some unreleased fragments of the interview with Francesc Ruiz that we were unable to include the first time around.

A few words in memoriam of Don Joyce (February 9, 1944 – July 22, 2015).

We dig up some unreleased fragments of the interview with Eyal Weizman that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Nanna Thylstrup that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Alfons Borrell that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Fatima El-Tayeb that we were unable to include the first time around.

Originally published as a hidden track or 'easter egg', this text was excerpted and adapted by Megan Prelinger from an editorial column titled 'Poles and Zeros' published in 'Proceedings of the Institute of Radio Engineers' in September, 1961. It goes back to the very first instances in which the term 'radio' was used, reconstructing a chronology of how it has been used until it became a shared notion and concept.

Transcript of PROBES #13, curated by Chris Cutler.

We dig up some unreleased fragments of the interview with Clémentine Deliss that we were unable to include the first time around.

Transcript of Quim Pujol’s audio essay for OBJECTHOOD #3.

Transcript of PROBES #12, curated by Chris Cutler.

We dig up some unreleased fragments of the interview with Kristine Khouri that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Sergi Aguilar that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Rasha Salti that we were unable to include the first time around.

Transcript of PROBES #11, curated by Chris Cutler.

We dig up some unreleased fragments of the interview with Beatriz Preciado about Carol Rama that we were unable to include the first time around.

We dig up some unreleased fragments of
the interview with Alicia Kopf that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Joan Fontcuberta that we were unable to include the first time around

Transcript of PROBES #10, curated by Chris Cutler.

Hank Bull takes the idea of boredom as a springboard to fire off some interesting ideas about entertainment and archives.

What is Radio Art? What are we doing? Ben Vida, Felix Kubin, Goodiepal, Kenneth Goldsmith, Jon Leidecker, Tetsuo Kogawa, Chris Cutler and Roc Jiménez de Cisneros give their own answer to these ontological question.

Transcript of PROBES #9, curated by Chris Cutler.

Following with Felix Kubin’s line of research on the creative underground tape scene, in this brief podcast we revisit the origins of the format with former Philips employee Wim Langenhoff.

Transcript of PROBES #8, curated by Chris Cutler.

We dig up some unreleased fragments of the interview with the writer, cultural critic and teacher Jorge Carrión.

We dig up some unreleased fragments of the interview with Andy Votel that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with the cultural critic and music journalist Diedrich Diederichsen.

Transcript of PROBES #7, curated by Chris Cutler.

This is an email conversation with the sound poetry and voice collector Eduard Escoffet, which took place in Summer 2013.

We dig up some unreleased fragments of the interview with the Catalan photographer Xavier Ribas.

Transcript of PROBES #6, curated by Chris Cutler.

This is an email conversation with 78-rpm and 45-rpm record collector Peter Muldavin, which took place between Winter 2012 and Summer 2013.

We dig up some unreleased fragments of our interview with Eric Baudelaire.

In this sound piece, Oriol Vilanova recites, one after another and in no particular order, the more than one thousand names of the cities featured in his postcard collection of triumphal arches 'Còpies', one of his works in the MACBA Collection.

A mixtape made from Matías Rossi (Bradien) and Eduard Escoffet's exclusive music selection for SON[I]A #182.

We dig up some unreleased fragments of the interview with the Egiptian artist Iman Issa.

We dig up some unreleased fragments of the interview with the Catalan photographer Sandra Balsells.

This is an email conversation with plunderphonic artist and sound collector Vicki Bennett, which took place in Summer 2013.

Transcript of PROBES #5, curated by Chris Cutler.

In this conversation, José Manuel Berenguer reflects on the concepts of soundscapes and field recordings, and discusses his recent practice in a context in which the genre is taking on an increasingly prominent role in the field of sound creation.

We dig up another unreleased fragment of
our interview with the philosopher and activist Beatriz Preciado.

We dig up an unreleased interview with interaction designer Bill Verplank, recorded during his visit to Barcelona for the International Conference on "Tangible, Embedded and Embodied Interaction".

We dig up some unreleased fragments of
an interview with the philosopher and activist Beatriz Preciado.

Transcript of PROBES #4, curated by Chris Cutler.

We unearth here the conclusions document of AVANT.

We dig up some unreleased fragments of the interview with the Mexican artist Erick Beltrán.

Transcript of PROBES #3, curated by Chris Cutler.

We dig up some unreleased fragments of the interview with the Catalan artist Perejaume.

This is a conversation by email with the American new age collector Douglas Mcgowan, which took place in Winter 2012.

We dig up some unreleased fragments of
the interview with sound collector Jonny Trunk that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with the Catalan artist Ignasi Aballí.

We dig up an unreleased interview with Jacques Tosquellas to commemorate one hundred years since the birth of his father, the revolutionary Catalan psychiatrist Francesc Tosquelles.

Transcript of PROBES #2, curated by Chris Cutler.

This music selection was used as a teaser for the MEMORABILIA. Collecting sounds with... William Bennett lecture, which took place on April 1st, 2011 at the MACBA, and features some of the highlights of William Bennett’s collection.

Transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #8.1., curated by Mark Fell and Joe Gilmore.

This music selection was used as a teaser for the MEMORABILIA. Collecting sounds with... Ed Veenstra lecture, which took plave on April 15th, 2011 at the MACBA, and features some of the highlights of Ed Veenstra’s collection.

A conversation between Jens Heitjohann and Anna Ramos about Ràdio Web MACBA's conceptual framework.

We dig up some unreleased fragments of the interview with the archivist, writer and filmmaker Rick Prelinger.

We dig up some unreleased fragments of the interview with Antonio Ramírez, director of La Central bookshop.

Transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #7.1., curated by Mark Fell and Joe Gilmore.

This is a conversation by email with the Spanish Gramophonic collector Anki Toner, which took place in Summer 2012.

We dig up some unreleased fragments of the interview with sound collector Kenneth Goldsmith that we were unable to include the first time around.

Transcript of our new Curatorial series PROBES #1, curated by Chris Cutler.

Transcript of Ed Veenstra's lecture: "Broken Music, anti-records and object records".

Transcript of VARIATIONS #7. The Composer, curated by Jon Leidecker.

Transcript of William Bennett's lecture: "Musical homeostasis: music not just to be heard".

Transcript of the conversation between Tetsuo Kogawa and Yasunao Tone for LINES OF SIGHT #7.

Transcript of Kenneth Goldsmith's lecture: "From collector to archivist: seven thoughts".

This is a conversation by email with record and sound collector Jonny Trunk, which took place on April-May 2012, to prepare a monograph on his sound collection.

As a teaser for his forthcoming lecture, Jonny Trunk compiles fifteen gems from his very own sound collection.

This is a conversation by email with record and sound collector Kenneth Goldsmith, which took place on April 2012, to prepare a monograph on his sound collection.

As a teaser for his lecture, Kenneth Goldsmith compiles fifteen gems from his very own sound collection.

Transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #6.1., curated by Mark Fell and Joe Gilmore.

Excerpts from a 2003 conversation between Carles Guerra and Richard Hamilton.

This is a conversation by email with composer, improviser and sound artist Joel Peterson, which took place on February-March 2012.

Transcript of JOHN CAGE. Notes towards a re-reading of the “Roaratorio”, curated by José Manuel Berenguer and Carlos Gómez.

We dig up some unreleased fragments of the interview with sound collector William Bennett that we were unable to include the first time around.

Transcript of THE MALADY OF WRITING. Modernism you can dance to, curated by Kenneth Goldsmith.

Transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #5.1., curated by Mark Fell and Joe Gilmore.

Mark Gergis, a regular collaborator with Sublime Frequencies, explains the project's philosophy and the cultural, logistical and esoteric implications of collecting music from a culture other than one's own.

We dig up some unreleased fragments of the interview with the writer, philosopher and political and cultural Franco Berardi.

We dig up some unreleased fragments of the interview with sound collector Mark Gergis that we were unable to include the first time around.

Transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #4.1., curated by Mark Fell and Joe Gilmore.

Transcript of TV ON THE RADIO #2, curated by Kenneth Goldsmith.

Transcript of VARIATIONS #6. The Library, curated by Jon Leidecker.

Transcript of TV ON THE RADIO #1, curated by Kenneth Goldsmith.

Transcript of FLUXRADIO, curated by Joe Gilmore and Rhiannon Silver.

Transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #3.1., curated by Mark Fell and Joe Gilmore.

Transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #2.1., curated by Mark Fell and Joe Gilmore.

A compilation of the lyrics and the English translations of the Deutsche Kassettentäter music selection by Felix Kubin.

Transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #1.1., curated by Mark Fell and Joe Gilmore.

Transcript of VARIATIONS #5. The Discipline, curated by Jon Leidecker.

This is a conversation by email with ephemeral film collector Rick Prelinger, which took place on April 2011.

This is a conversation by email with record and sound collector Mark Gergis, which took place on April 2011, to prepare a monograph on his sound collection.

The technical aspects behind the sound installation '# 04 Natascha Sadr Haghighian. De paso', explained by the artist herself.

This is a conversation by email with Dutch collector Ed Veenstra, which took place on April 2011, to prepare a monograph on his sound collection.

This is a conversation by email with William Bennett (Whitehouse), which took place on March 2011, to prepare a monograph on his sound collection.

Transcript of VARIATIONS #4. The Explosion, curated by Jon Leidecker.

Transcript of VARIATIONS #3. The Approach, curated by Jon Leidecker.

Transcript of VARIATIONS #2. The Globe, curated by Jon Leidecker.