Extra

We dig up some unreleased fragments of our conversation with maverick composer Jennifer Walshe, that we were unable to include the first time around.

We dig up some unreleased fragments of our conversation with the collective Laagencia, embodied here by the voices of Mariana Murcia, Diego García and Santiago Pinyol, that we were unable to include the first time around. 

We dig up some unreleased fragments of our conversation with choreographer and performer Alma Söderberg that we were unable to include the first time around. Alma discusses her influences, teachers and schools and two collective projects of different sorts: Manyone and John The Houseband.

We dig up some unreleased fragments of our conversation with video artist, activist and researcher Marina Gržinić, which we were unable to include the first time around. Marina reflects on her trajectory, together with Aina Šmid, in the field of video art and new media, from the eighties to the present day, from a feminist and socialist perspective.

We dig up an unreleased fragment of our conversation with artist, educator and researcher Mônica Hoff, questioning the notion of creativity, that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with Efraín Foglia about the Xarxa de Ràdios Comunitàries de Barcelona (XRCB) that we were unable to include the first time around.

We dig up some unreleased fragments of our conversation with finish artist Terike Haapoja that we were unable to include the first time around. 

We dig up some unreleased fragments of our conversation with Ramon Amaro that we were unable to include the first time around. Ramon Amaro is a lecturer in the Department of Visual Cultures at Goldsmiths, London, and also in the Centre for Research Architecture. His work revolves around speculative articulations in machine learning, philosophies of being, mathematics, engineering, and black ontology.

Transcript of PROBES #27, curated by Chris Cutler.

We dig up some unreleased fragments of our conversation with New York artist and editor Susan Bee that we were unable to include the first time around.