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In PROBES #33 we begin to trace the impact of the application of electricity on the world of music and look more closely at the Musical Telegraph, the two-hundred-ton Telharmonium (a 19th century mechanical synthesizer) in America, as well as the Theremin and the visionary Rhythmicon in the USSR.
ResearchProbesChris Cutlerradioelectricity
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Possible Bodies questions and problematises the formulation, conception, and rendering of bodies across different 3D technologies such as modelling, tracking and scanning. Their affirmative critical research draws attention to the ways in which these techniques end up implementing and even amplifying a host of prejudices based on race, gender, class, age and ability which, far from being circumstantial, are woven into the actual source code of all sorts of applications. We talk to Femke Snelting about embodiments, optimisation, and 3D disasters, about the possible and the probable, parametric interfaces, and open standards, and about disobedient action research.
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Reassessing and defamiliarizing historical narratives that sit at the core of white patriarchal societies, is a necessary feminist practice and one at which Cara New Daggett, writer and researcher in the field of energy politics, excels at. In this podcast, energy, work, utopian demands, and unions, become intertwined with oil cultures, petromasculinities and ecomodernism, to reflect on growth, dependency, debt and energy transitions beyond extractivism. Degrowth, desire, pleasure, feminist science and new story-telling strategies are revealed as key ingredients for the recipe to reimagine ecologically generous ways of life on Earth.
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OBJECTHOOD is a series of podcasts about new perspectives on the role of the object in contemporary art and philosophy. The first interviews in this series were conducted during the seminar "Expanded Choreography. Situations, Movements, Objects...", which took place at the MACBA in March 2012.
"All the stories you hear about the Pacific and the frontlines is like disaster or catastrophe is just one-dimensional. It's like this thing happened and then everybody died or everyone was destituted or displaced from their land. And what really has stayed with me is the normality of that kind of disaster, dispossession and displacement. It's really hard to talk with people about this, because what people want to hear is a sad tragic story. No one knows what to do with a story about flooding that kids were playing in."
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Amongst the new acoustic inventions, Chris Cutler highlights here the Rumitone, the Uberorgan, a whole Anarchestra, Philip Dadson's Sproings, a Violimba, some scraper flutes, an Aquavine, Diego Stocco's Custom-built Orchestra, an elastic aerophone-centriphone, Leonardo da Vinci's viola organista, Martin Molin's heroic Marble Machine and many other hopeful and inspired monsters.
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The tale of how a student of ethnomusicology from Brooklyn spent a year in West Africa buying tapes off street markets... and how he managed to turn that bizarre collection into one of the most revered record labels in recent years.
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We dig up some unreleased fragments of our conversation with sound artist and musician Jessica Ekomane. We talk about sci-fi and emancipatory spaces, her VR project, her approach to live shows and her collaborations.
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We dig up some unreleased fragments of our conversation with Marie Hélène Pereira and Fatima Bintou Rassoul Sy—two key members of Raw Material Company—. We talk about connecting locally, about working with and empowering Afro communities, about keeping the archive alive, and about working with orality.