Son[i]a
In this podcast, images are a device for weaving complex relationships, with agency and a host of constituent agents that modulate their meaning. Visual artist and researcher Ona Bros charts an almost chronological story of her life, in which babbling, impropriety and questioning sustain other imaginaries and other ways of being and relating. Direct action, images that stain, ethical porn, gestating bodies and communities of ice create space for the constant sense of not belonging and the need to sustain life.
In this podcast, we open up a glossary of concepts that affect and leave their mark on Kathrin Böhm's many constellations and collective projects. From the notion of compost—which triggered a radical shift in her way of working and interacting with her material archive in recent years—to a reassessment of the very idea of economy, which, as Katherine Gibson writes, helps us discern spaces of value production that are not immediately apparent. We talk about how these other strategies and ways of doing things lead us to qualify and problematise alternative ways of understanding social and/or participatory practices, and even to read the idea of community critically.
In this podcast, cultural manger and mediator David Yubraham Sánchez expands on critical thoughts formulated in educational spaces, in constant conversation with others—an exercise in examining racist and colonial patterns in order to dismantle fictitious equivalences in the name of diversity. Thinking-by-doing—with collective work as his main methodology—gives rise to a profusion of tips, strategies and objectives to guide the work of anti-racist mediation, education, and cultural programming. This involves problematising the hollowing out of rights and cultural policies, identifying absences and erasures in democratic memory and national heritage, and implementing the political practice of listening.
Carlos Motta sees his research as a potential space of enunciation from which to act as a counterweight to the prevailing narratives—a positive gesture of recognition of social groups, identities and communities whose voices have been suppressed by the dominant colonial power. His radical multidisciplinary practice and his use of a range of media—from video to installation, sculpture, performance and drawing on paper—make him hard to pin down. He also focuses on interaction with others, in ensemble works involving orality, documentary, curating, and even organizing public programs and symposia. In this podcast, we talk to Carlos Motta about art, politics, the market, and working conditions.
Hamja Ahsan is a British artist, writer, curator and fanzine enthusiast. He is known for his raw critique of dominant culture and power structures, particularly in the context of cultural representation and identity. In this podcast, we talk Hamja Ahsan about the language of Shy Radicals, about neurodiversity and Islamophobia, and about the fictional utopian shy people’s Republic of Aspergistan. But also about fried chicken. Yes, mostly about fried chicken, really.
In this podcast, Françoise Vergès unpacks the social and environmental politics of cleaning and waste, charting and questioning temporal and spatial interactions that create a neutral site of deprivation, exhaustion and exploitation. She sheds light on the economy and politics of exhaustion, pointing out the role of racial capitalism in the climate crisis. Vergès suggests a political re-reading and understanding of vital needs and natural elements through notions of cleaning, hygiene and medicine, and raises revolutionary questions about the prefabricated assumptions of justice and social transformation through re-thinking the museum.
In this podcast, we talk to Chilean writer, editor and academic Macarena García about her working methods with children in schools and other shared educational spaces. We talk about challenging picture-books, about fascination and overflow as tools for collective transformation, and about what happens to bodies when they are together. We also explore the workings of censorship and how children’s literature approaches subjects such as death, sex, racism, dictatorship, feminism, gender identity and the climate crisis.
Through media such as lectures, performance, video, drawing, installation, and sculpture, Haig Aivazian’s multifaceted works intricately blend the personal and the geopolitical as well as micro and macro narratives. They uncover or perhaps even fabricate complex threads, timelines and visual networks with multiple layers of meaning and ambiguity. His stories are intended to puzzle, reveal intangible connections, and evoke a sense of ghostly friction among conflicting ideas. In this podcast, we talk to Haig Aivazian about counter-propaganda, sports, blackouts, Palestine, fugitivity and what he calls “the dumping grounds of democracy”.
Lydia Ourahmane is an Algerian-born multidisciplinary artist who has spent much of her life in the UK. In her installations and interventions, the notions of object and subject—considered separate in Western thought—converge and dialogue between the public and private, the alien and borrowed, migration and extractivism, everyday life and the affective materiality of things. In this podcast we talk (in total darkness) to Lydia about her relationship with echo as a phenomenon for the creation of negative space, about listening as a trigger for singular experience. We also talk about her connection to spirituality through her family experience, a community persecuted for its faith in her home country. Finally, we hear some open questions about the idea of home, belonging and freedom, and about the miraculous, the unexplained and the absolute.
In this podcast, we talk to Gabriel Chaile about slowness as a space of resistance, about the austere and changing bodies of his functional sculptures, and about poverty, memory and oblivion. Following the rhythm of his own life, we travel from the shores of Tucumán to the centre of the contemporary art world and the international scene. And along the way, we discover and lay the first stones of his Centro Cultural Ambulante [Travelling Cultural Centre], which is not really a space but a beacon calling for an attitude to life and connection with others.