RWM

RWM is a radiophonic project from the MACBA website that explores the possibilities of the internet and radio as spaces of synthesis and exhibition.

The programs are available on demand, and as a podcast subscription.

This week we highlight the following podcast series:
>>LINES OF SIGHT, curated by Barbara Held and Pilar SubirĂ 

>>INTERRUPTIONS, featuring theme-based mixes by Alan Bishop, Chris Brown, Florian Hecker, Felix Kubin, Jon Leidecker, Marcus Schmickler, amongst others

SPECIALS

With the idea of documenting the work of artists in the MACBA Collection, FONS ÀUDIO talks with Erick Beltrán.


FONS ÀUDIO #18

CURATORIAL

In this music selection we look further at probes into pitch, this time through its effective obliteration.


PROBES #3.2

EN CRISI #2

SON[I]A

Soledad Gutiérrez talks about Lawrence Weiner and the exhibition Written on the Wind'.


#177

RESEARCH

A retrospective snapshot of the musical legacy of the Institute of Sonology in The Hague.


MEMORABILIA. COLLECTING SOUNDS WITH...

SON[I]A

L'AutomĂ tica: a self-management project and a return to artisan approaches.


#176

CURATORIAL

Ben Vida shows the listener how pleasurable it is to experience complexity and phenomena in the sonic realm, applying both to sonic compositions.


INTERRUPTIONS #11

SON[I]A

Interview with EulĂ lia Grau about art and protest and about the creation processes behind some of the works that can be seen in the exhibition 'I Have Never Painted Golden Angels'.


#175

RESEARCH

Exclusive music by Keith Fullerton Whitman and Carl Michael von Hausswolff.


COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #8.2

EN CRISI #1

RESEARCH

Between a collection and an archive. Nostalgia coexists with academic rigor.


MEMORABILIA. COLLECTING SOUNDS WITH...

SON[I]A

Gerald Raunig talks about Molecular Revolution, philosophical activism, and the differences and similarities between recent social movements and those of the late nineteen sixties.


#173

CURATORIAL

This is where pitch becomes weightless and all that is solid melts into air: futurism, noise, electricity, ecstasy and uncertainty. We look at the lure of sliding tones.


PROBES #3

UTOPIA IS POSSIBLE. ICSID. EIVISSA, 1971. #3

SPECIALS

With the idea of documenting the work of artists in the MACBA Collection, FONS ÀUDIO talks with Judith Barry.


FONS ÀUDIO #17

EXTRA

We dig up some unreleased fragments of the interview with the Catalan artist Perejaume.


FONS ÀUDIO #16

MEMORABILIA. COLLECTING SOUNDS WITH...

EXTRA

We dig up some unreleased fragments of
the interview with sound collector Jonny Trunk that we were unable to include the first time around.


MEMORABILIA. COLLECTING SOUNDS WITH...

QUADERNS D'Ă€UDIO

A compilation of a series of previously unpublished graphic scores made by Barber in Japan in 2005.


#2 Cuaderno de Yokohama