Son[i]a
Melanie Smith
Melanie Smith talks about her encounter with Mexico, her relationship with painting, and the risks of so-called political art, which can end up being as dogmatic as the behaviour it supposedly condemns. She also reflects on satire and absurdity as tools of subversion and on the need to break down artistic frameworks and surfaces in order to create new realities.
Nicolás Paris
Nicolás Paris talks about his years as a teacher in La Macarena and his particular teaching method based on association. He also reflects on the importance of drawing in his work as a tool for projecting ideas, on architecture as a working method, on words as artistic material, and on thought as form.
Maia Urstad
Norwegian artist Maia Urstad talks about nostalgia, radio pips, AM, FM and DAB, about the importance of ska, about arches and obelisks, sounds in the fjord, and time capsules, about program 81, freq_out, and foghorns, and about local radio stations and lost tapes.
Emilio Santiago Muiño
Emilio Santiago Muiño talks about salad gardens in museums, social movements and public policies, about oil as a magical substance, ecofascism, acceleration, and degrowth, and about how an imaginary of more modest utopías may, in the long term, become a means of finding our way home.
Maria F. Dolores/AMOQA
AMOQA (Athens Museum of Queer Arts) is a hybrid, self-organized platform for the research and promotion of arts and studies on sexuality and gender, operating in Greece since 2016.