female producers

In this podcast, singer and composer Maya Al-Khaldi and Qanun player, DJ and producer Sarouna talk about the Palestinian music scenes and about their own musical approaches and artistic practices. They question the electronic music genre from a decolonial point of view and talk about the issues around fusion and the exoticization of cultural expression. Folklore emerges as a complex and often disputed concept. The conversation touches on the tensions between the archive and lived experience, the challenges of non-existent or inaccessible archives, and the importance of preserving cultural heritage. They also reflect on the crucial need for collective mourning as Palestinians and talk about the weight of imposed guilt, and about resilience. Sarouna’s thoughtfully captured field recordings of everyday moments in Palestine are woven through the podcast.

We dig up some unreleased fragments of our conversation with poet, activist, sound artist, sound sculptor and curator Antye Greie. We unpack some of her strategies to deploy what she calls "feminist sonic technologies". And we do so, starting with her own understanding of unlearning.

It’s tempting to describe Marissa Malik’s practice as a crossroads—one where music production intersects with mysticism, DJing and astrology. But the way she talks about these complementary aspects instead suggests that they are all on a sort of Möbius strip, a continuum with no beginning or end, on which they harmonically coexist and feed back on each other. This paradoxical geometry relies on a worldview and a critical gaze that has allowed Marissa to explore and put her own spin on the correlation between language, racial segregation and gender, especially in the framework of diaspora communities like her own. We sat down with Marissa Malik to talk about language, rituals, migration, mysticism, barriers, queerness and sexuality in her musical domain. 

We dig up some unreleased bits of our conversation with the Tasmanian-born, Berlin-based experimental cellist and sound artist Anthea Caddy. We talk about the dialogue between her practice and science and academia, but also about infrasound, long wave data, mirrors, reflection, the ungraspable and the negotiation with the environment and space.