Son[i]a
In this podcast, we talk to filmmaker and visual artist Wu Tsang about her way of understanding (and practicing) the ungraspable nature of the moving image through her concept of magic realism, as well as other reality-modification strategies. We talk about big and small stories, about myths and clichés, and about rewriting and unravelling timelines, part real and part fictional. We also look at the benefits of collaborative processes and at the need to challenge and dismantle the idea of individual authorship in the visual arts.
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In this podcast, Imani Jacqueline Brown tells us about her formative experience as an activist in New Orleans and in the crucible of Zuccotti Park during the Occupy Wall Street movement. We also talk about eugenics and about how Carl Linnaeus’s philosophy during the Enlightement divided existence into parcels of private property, about oil infrastructure networks and environmental racism in Death Alley, and about apocalypse as repeated events. Along the way, Imani imagines paths to ecological reparation, ways to steward and attend to the world. She finds that it is precisely the uncultivated land at the back of the plantation that is rich with life and possibility: the seed banks of new growth.
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In this podcast, Seba Calfuqueo dismantles heroes, monuments and categories, while reclaiming gaps, taboos and the elements as spaces of complexity from which to strike up conversation. They also talk about owning where you come from and the position from which you speak. And they argue for the collective occupation of spaces that have historically been denied to the Mapuche people. For Seba, being Mapuche means having a connection with the land, and in this conversation they present a way of understanding of life in which queerness is the very essence of nature.
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In addition to her theoretical work, academic and researcher Eleonora Belfiore has a particular interest in socially engaged arts practice. In this sector, she plays a crucial role in highlighting the labor injustices promoted and reinforced by decades of neoliberal policies and argues for demanding an overall improvement in working conditions in a sector traditionally undervalued by funders and policymakers. Her work, mostly focusing on the UK context, often challenges the assumptions underlying cultural value —and questions the methods used to evaluate cultural impact, in an attempt to bridge the gap between cultural theory and practical policy-making. In this podcast, we talk to Eleonora Belfiore about self-exploitation, value metrics, austerity, social change, community development, feminist ethics of care and cognitive dissonance.
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In this podcast, we talk with indigenous Sámi researcher, writer, curator and artist Liisa-Rávná Finbog about napkins, museums, collections, and colonialism, to challenge hierarchies, cultural extractivism, and the hidden violence in any process of cultural assimilation. We also highlight the causal relationship between art and coloniality, questioning the separation between function and aesthetics. Duodji thus emerges as an ancestral practice and knowledge system — that dismantles and emancipates itself from the Western construct of craft, while invoking a dialogical relationship with materiality. We open a portal to understand and share the ways of thinking, being, and existing in interdependence, of the Sámi people.
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Son[i]a functions as a mirror and a sounding board for MACBA itself. Harnessing the synergies arising from the presence of the many voices, activities, and sounds that circulate in the museum, Son[i]a presents in-depth interviews with artists, curators, critics, activists, and thinkers, on a range of topics ranging from art to philosophy, by way of politics, activism, artistic research, music, and film, and everything in between.
Son[i]a was the first RWM programme, launched on 2 May 2006.
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