Extra
We talk about working at different frequencies at the same time, as well as the importance of play, fiction, unproductive time, and the procedural— a "making in the process," in Teresa's words— as generative spaces for both artistic research and educational and mediation practices. We focus especially on her passion for collage and the potentials that emerge from that space: the openness to new meanings, the use of remnants, and the possibility of involving the body and materials in the conversation.
Deleted scenes
We dig up some unreleased fragments from our conversation with the artist, art historian, researcher, and educator Teresa Lanceta. We delve into her research on Las cigarreras, which documents and focuses on the forms of organization, solidarity, and care among the women workers in the tobacco industry in Spain in the early 20th century. We also share her relationship with the collector Bert Flint, the (for her) impossible bridge to pre-Columbian textiles, and her way of understanding and carrying out co-authorships.
We dig up some unreleased fragments of our conversation with interdisciplinary writer, artist, editor, curator, and plant lover Imani Mason Jordan. We discuss Audre Lorde’s call to action in “Your Silence Will Not Protect You,” exploring Imani’s interpretation of it. Additionally, we talk about tuning in—rather than out—as a strategy to find rest and respite, to nourish ourselves and recharge through simple things. Finally, we delve into Imani’s collaborative practices.
Deleted scenes
We dig up some unreleased fragments of our conversation with Open-weather’s researcher-designer Sophie Dyer and creative geographer Sasha Engelmann, which we couldn’t include the first time around. They share their “origin story” while demonstrating “live” their collaborative dynamic. The poetics and materiality of radio, in its capacity to sense and to resonate at a distance, emerge as a tool for insightful alliances, as well as speculative and radical experiments, from the Feminist Antifascist Weather Front to radio mirrors.
Yaiza Hernández. Deleted scenes
We dig up some unreleased fragments of our conversation with researcher and transdisciplinary curator Yaiza Hernández. We unpack the relationship between militarism and tourism by looking at zonified border territories that also model touristification. Through this lens, we also see that the tourist resort replicates the architectural layout of the colony, offering safe spaces for privilege, wealth, and whiteness. Then, we take a look at the current form of the museum model, warning of certain symptoms suggesting it is reaching a terminal stage. We wrap up with a digression into Yaiza’s understanding of cultural appropriation.