Extra
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We dig up some unreleased fragments of our conversation with Chilean writer, editor and academic Macarena García, which we couldn’t include the first time around. Macarena talks about her interest in observing and analysing how processes and consensuses in culture, society, ethics and politics are put to the test in the field of childhood studies. She focuses on artistic expressions such as the case study of children’s literature, and more specifically scrapbooks. We also chart a brief genealogy of picture books and the many narrative strategies that issue from it: from challenging books to non-educational relations between text and image, and the figure of the ellipsis.
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We dig up some unreleased fragments of our conversation with choreographer, performer and artist Itxaso Corral, which we couldn’t include the first time around. With Itxaso, we embrace the complexity of being-and-doing-with-others, and we look inside some of the notions that underlie her thinking-by-doing: hijacked words that can be set free, such as tenderness, naivety, empathy, modesty and cringe. We also open up a host of questions—poetic, political, and convivial—in order to spend some time with them, leaving them unanswered. How far do things go? Is reading a text just reading a text? Does a written text remain only on the page? Is there no vibration? Who is legitimized, and to say what? Which things are accepted as legitimized and which are left out? Do I seem to be alone? Where can we come together?
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We dig up some unreleased fragments of our conversation with poet, activist, sound artist, sound sculptor and curator Antye Greie. We unpack some of her strategies to deploy what she calls "feminist sonic technologies". And we do so, starting with her own understanding of unlearning.
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We dig up some unreleased fragments of our conversation with Mexican artist Juan Arturo García. With the design of neutral Spanish as a case study, we broaden our conversation around living and dead languages, dialects, the uses of language and the dynamics of linguistic prestige. We imagine subtitling as a creative space, while rethinking typography from a political lens, questioning legibility and conventional strategies through his own practice.
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We dig up some unreleased fragments of our conversation with the leader, activist mother and poet Yaneth Valencia that we were unable to include the first time around.