Jacob Kirkegaard
Deleted scenes
We dig up some unreleased fragments of the interview with Jacob Kirkegaard that we were unable to include the first time around.
Auxiliaries
Chris Cutler takes us on a stroll through music made (variously) with water, stones, stage props, ice, snow, stalactites, Tesla coils, sand dunes, leaves, flowers, grass, twigs, glass and a coffee can.
Bregman / Deutsch Chimaera - 47 minutes in bifurcated attention
Florian Hecker suggests an amalgamation of two seminal collections of psychoacoustic works, which demand from its audience a selective piecing-together of distinct units into an overall Gestalt, one that culminates in a chimerical auditory experience.
Thinking (through) the ear
Can we think through listening? Seth-Kim Cohen, Christoph Cox, Julian Henriques, Casey O’Callaghan, Peter Szendy and Salomé Voegelin discuss why thinking should not be at odds with resonating...
Playing phenomena as a compositional material
This mix explores how the use of aural phenomena can manifest in its many forms to become the key element in a compositional practice. By engaging in the use of such expanded sonic techniques the composer can act to create a recalibration of the listeners sense of hearing and by so doing, allow for a reconsideration of what constitutes sonic composition.
Research process: Jacob Kirkegaard
In 2014, we interviewed Danish artist Jacob Kirkegaard as part of a research project entitled ON LISTENING. This podcast takes us back to that conversation, where Kirkegaard reflected on the importance of listening and argues that sound art can create purely sensory spaces that go beyond our immediate perception, helping us to grasp the unfathomable.