2017 most listened podcasts
Things that are more than things: frozen embodiments of social relations, petrifications of desires and energies, replicas disguised as everyday objects. Images, microwave, post-its, money, inhalers, cheese. We speak with Hito Steyerl, Helen Hester and Roula Partheniou of these and other ideas. Because things are never quite the way they seem.
In 1953, after attending the first Swedish Radio and Fylkingen Society electronic music concert with Pierre Henry and Pierre Schaeffer, Swedish artist Öyvind Fahlström wrote a manifesto for concrete poetry. More than a decade later, the Swedish Radio broadcasted his pioneer radio piece “Fåglar I Sverige (Birds in Sweden)”. In the decades that followed, the complexity and broad spectrum of productions coming out of the Elektronmusikstudion (EMS), founded by Karl Birger in 1964, made it a hub for artists. But while the text-sound scene was in and out of the Sound Workshop, Knut Wiggen, the first director of the EMS, channelled his energy into the futuristic dream of creating a world-class computer music studio for experts and scholars.
Zach Blas talks about utopian plagiarism, biometrics, life patterns, and unthinkable moments; about identity, opacity, and paranodes; about speculation understood in terms of usefulness, and about how we can go about conceiving sensual alternatives to the internet’s total mono-narrative today.
Independent publishing is experiencing a boom in the art world. Before the bubble bursts, we speak to Kit Hammonds and Bernhard Cella about the boom, the recovery of supposedly obsolete printing techniques, the risk-aversion of institutional art collections, about professionalisation and about digital generation.
Can we think through listening? Seth-Kim Cohen, Christoph Cox, Julian Henriques, Casey O’Callaghan, Peter Szendy and Salomé Voegelin discuss why thinking should not be at odds with resonating...