writing
Researcher and activist Jara Rocha’s practice is concerned with mediating and mobilising the conditions of meaning production and materials for possibility. Fond of complexity and grounded in a trans*feminist sensibility, they explore the inequalities and stark contrasts in the distribution of the technological. They draw attention to the politics and aesthetics embedded in infrastructures and to how power organises itself, becoming simultaneously visible and inaccessible. A pure exercise in political imagination and situated dissidence that takes us from reproductive technologies to critical pedagogies in formal, non-formal, and informal structures, by way of technocolonialism and turbocapitalism. Without ever taking our eye off the global perspective and our immediate environment: from global care chains to the precarisation, invisibilisation, and offshoring of labour.
We dig up some unreleased fragments of our conversation with writer and researcher Cara New Daggett. We talk about the Mayapple Energy Transition Collective, feminist citation practices, collective writing and the difficulties academia still has with such exercises. We share the traumatic experience of being trolled after writing her essay "Petro-masculinity: Fossil Fuels and Authoritarian Desire". Coping with the pandemic and parenting with the climate crisis on the horizon are also brought to the table.
The work of artist Clàudia Pagés unfolds and contracts in many forms. Words, the body, and movement circulate in multiple directions through her processes, forging a tangled linguistic web of micro-narratives that involve critically listening to the immediate environment, and recording it through persistent writing. In this podcast, we open Clàudia Pagés’s box of tricks and tools. Repetition, 'zoom-ins', physical and metaphorical shifts, and translation emerge as some of her main strategies, while singing, composing, and dancing come together as desire and a pure space of experimentation and possibility.
We talk to the researcher and curator Maria Ptqk about the possible methodological alliances between art and science. We check out her recent years of research, which have crystalised in the exhibition Science Friction. Life among companion species and in other embodiments and projects. We look at the narrative dimension of scientific knowledge, via Donna Haraway, and at the symbiotic relationships between interdependent organisms through the work of Lynn Margulis. We rethink the complex boundaries between the cultural and natural spheres, and we also embrace the monstrous, in order to call for a multispecies paradigm that overturns human supremacy.
Luz Pichel is a poet. Her writing comes out of all those places and even others that she did not physically visit but reached through curiosity, imagination, and empathy. The tension between major and minor languages, the liberating potential of a non-stabilised and nob-folklorising use of dialect and the crack of invention opened up by memory and childhood, are some of the paths that her poetry explores.