Creative Commons
Based in Dakar, Senegal, Raw Material Company is an independent, collaborative centre that aims to foster critical thinking through artistic practice. In this conversation, Marie Hélène Pereira and Fatima Bintou Rassoul Sy—two key members of Raw Material Company—discuss a situated feminist and decolonial practice that focuses on doing rather than enunciating and categorizing. They share some of their experiences and talk about the strategies they use to create rich forms of dialogue and to negotiate the tensions and the ideological and economic constraints imposed through the still-colonial structures of the so-called global North.
We dig up some unreleased fragments of our conversation with artist Francesc Torres that we were unable to include the first time around.
Luz Pichel is a poet. Her writing comes out of all those places and even others that she did not physically visit but reached through curiosity, imagination, and empathy. The tension between major and minor languages, the liberating potential of a non-stabilised and nob-folklorising use of dialect and the crack of invention opened up by memory and childhood, are some of the paths that her poetry explores.
Pere Noguera is a conceptual artist. Since the early 1970s he has been experimenting with the aesthetic, poetic, and metaphysical possibilities of mud, water, landscape, paper, photocopies, photography, everyday objects, action, and the passage of time. In FONS AUDIO #51, he gives us some insight into works such as "La fotocòpia com a obra document" (1975), "Càntirs" (1976), "Pedra i ganxos de ferro. Sèrie 'Massanet'" (1977) and "Porta doble" (1990).
Samaneh Moafi is an architect and the senior researcher at Forensic Architecture, Goldsmiths, University of London. She oversees the Centre For Contemporary Nature, a division within Forensic Architecture which explores the relationship between human rights violations, environmental violence, and anthropogenic climate change. In this podcast, Samaneh Moafi turns our gaze to notions of ecocide, negative commons and environmental violence in pursuit of accountability and change. In doing so, she takes us through the Negev desert, extraterritorial toxic clouds, orangutan nests in Indonesia, forest fires and weaponised wind gusts in the Gaza strip.