Extra
Deleted Scenes
We dig up some unreleased bits of our conversation with the Tasmanian-born, Berlin-based experimental cellist and sound artist Anthea Caddy. We talk about the dialogue between her practice and science and academia, but also about infrasound, long wave data, mirrors, reflection, the ungraspable and the negotiation with the environment and space.
Deleted scenes
We dig up some unreleased fragments of our conversation with the choreographer, performer and artist Maria José Arjona. We talk about travel as a catalyst for her work, about interaction with the spectator, about her repertoire of gestures, about connecting and listening to animality, and about contact with the other side.
Deleted scenes
We dig up some unreleased fragments of our conversation with Chilean artist Nicole L'Huillier. We talk about the agency of the work and working with other agents.
Deleted scenes
We dig up some unreleased fragments of the conversation with artist and researcher Eugènia Balcells, which we were unable to use the first time around. We share notes on her work Fuga—which she considers seminal to her practice and to her relationship with light—and on the educational project Veure la llum, which was carried out as part of her exhibition Seeing the Light at MACBA in 1996. To wrap up, we talk about her vison for the Eugènia Balcells Foundation: 400 hectares at Les Gavarres, where she can bring together her legacy and establish interdisciplinary dialogue in nature.
Transcript
Transcript of PROBES #35, curated by Chris Cutler.