FONS ÀUDIO #51
Pere Noguera
Pere Noguera (La Bisbal de l’Empordà, 1941) is a conceptual artist. Since the early 1970s he has been experimenting with the aesthetic, poetic, and metaphysical possibilities of mud, water, landscape, paper, photocopies, photography, everyday objects, action, and the passage of time. In FONS AUDIO #51, Pere Noguera talks about his formative years at Escola Massana in Barcelona and his flirtation with professional football. He also tells us about his town—La Bisbal—, about his relationship with the soil, clay, ceramics, trades, nature, and play, and about his gradual discovery of the various creative media he has worked with over the years: photocopies, printing, monotype, the mirror effect, “enfangada” (in which surfaces or objects are covered in clay), found objects, improvisation, chance, and observation. Along the way, he gives us some insight into works such as “La fotocòpia com a obra document” (1975), “Càntirs” (1976), “Pedra i ganxos de ferro. Sèrie ‘Massanet'” (1977) and “Porta doble” (1990).
Marc Larré
Marc Larré works with video, photography, sculpture and objects, giving free rein to a dilettante practice that entails attentive listening to the materials he handles, and also to the context—to his surroundings. In his thinking-by-doing, Marc generates countless unexpected connections between temporary situations, objects, and people, in order to question notions of progress and modernity. In this podcast, we talk to Marc Larré about megaliths, stones, and anti-monuments. As we listen, artisanal practices, traces, frictions, clay, and plaster make an appearance. We talk about the experiential dimension of his practice and about the connections and synergies with the art community in Barcelona. And naturally, we also talk about art, about precarity, and about the need to rethink our working conditions, together.
Deleted scenes
We dig up some unreleased fragments of our conversation with conceptual artist Pere Noguera. Notes on trades and their influence on his work, his use of maps, his homage to Duchamp, and his work with the territory.
Ignasi Aballí
From obsessive classifications to anti-paintings, from a constant probing of the role of the spectator to imperceptible modifications, Ignasi Aballí’s work is both hermetic and accessible. A delicate balance between concept and form that draws inspiration from everyday life, literature and film in order to talk about absences, filters, fictions and limits.
Robert Janz
Painter, sculptor, printmaker, poet and street artist Robert Janz talks about his urban interventions, about art, Buddhism, politics, poetry and the passage of time.