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INTERRUPTIONS #12. Lost Techno-Pop Weekend in Rural Midwestern America. 29.05.2013 (114' )

A deliberate attempt to vindicate techno-pop as one of the most important genres of the last century.

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INTERRUPTIONS #11. Playing phenomena as a compositional material. 09.04.2013 (45' 32'')

Ben Vida shows the listener how pleasurable it is to experience complexity and phenomena in the sonic realm, applying both to sonic compositions.

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INTERRUPTIONS #10. Radio Maghreb. 11.02.2013 (55' 10'')

Alan Bishop mixes AM and FM radio emissions and other sources to create a radio collage work.

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INTERRUPTIONS #9. Meta-records. 12.10.2012 (60' 01'')

A selection of records that mention, replicate, utilise or study the phenomena of vinyl, the record player and/or recordings.

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INTERRUPTIONS #8. Sounds in Cause. 05.06.2012 (60' 28'')

A selection of field recordings from environments that are currently in the midst of a process of irreversible change.

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INTERRUPTIONS #7. The Beauty in Breathing. 04.01.2012 (41' 27'')

The mix presented here investigates the artistic use of breath. Curated by Kenneth Goldsmith.

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INTERRUPTIONS #6. Ontology of vibration: economics, music and number. 02.11.2011 (67' 30'')

Perceptive or sensual mathematics. By Marcus Schmickler.

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INTERRUPTIONS #5. Deutsche Kassettentäter. The rise of the German home-recording tape scene #2. 29.08.2011 (60' 59'')

Interview with Alfred Hilsberg and Frank Apunkt Schneider.

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INTERRUPTIONS #4. Bregman / Deutsch Chimaera - 47 minutes in bifurcated attention. 19.07.2011 (47' 19'')

An amalgamation of two seminal collections of psychoacoustic works. By Florian Hecker.

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INTERRUPTIONS #3. Deutsche Kassettentäter. The rise of the German home-recording tape scene #1. 14.02.2011 (59' 56'')

Felix Kubin brings back the spirit of the Neue Deutsche Welle.

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INTERRUPTIONS #2. Once Upon a Time in CA. 12.01.2011 (60' )

A spaghetti western about experimental music on the West Coast in the 1980s. By Chris Brown.

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INTERRUPTIONS #1. Pastoral V.2. 06.07.2010 (58' 03'')

The history of classic works of electronic and concrète music which sought to mimic and extend our pastoral landscape.