Re-Imagine Europe
The philosopher, art historian, curator and critic José Luis Barrios Lara reflects on the founding myth of the West, modernity, and the invention of the other. He considers identity politics as a political tool and a means for the management of bodies in space, questions the effectiveness of the epistemologies of the South, and interprets the global migration crisis as a form of neo-slavery. A grim scenario in which, he says, certain intersections of art and politics still have the power to destabilise the semantic field of representation and make room for the subversive.
We dig up some unreleased fragments of the interview with Jodi Dean that we were unable to include the first time around.
Goodiepal plays a borrowed Casiotone VL-1 VL-Tone and we talk about art's failure to have real impact, the best place to hide stuff, contracts and hacks, double standards in Europe, creativity in sheer survival strategies, Climate refugees, genocides in the making, modern afro-futurism, Radical Computer Music and circuit bending.
Lithium mines, Trotskyist sects, black boxes, planetary exodus, augmented architecture, a city as big as the entire planet Earth, the mythology of Area 51. McKenzie Wark, Liam Young and Mette Edvardsen explore these and other ideas in an attempt to think about space as more than just a medium. Space as object.
Jodi Dean talks about communism as a still-latent project, about the Party as a scalable global form, about dystopian municipalism, anamorphic ecologies, and liberal democracies, about Not An Alternative and Liberate Tate as examples of sustainable activism practices at museums, about desires, enthusiasm, and trust and about the emotions captured inside social media.