Creative Commons
We dig up some unreleased fragments of the interview with Sofía Olascoaga that we were unable to include the first time around.
Irish artist John Gerrard talks about his initial fascination with 3D scanners and about how they led him to develop his current practice, about his conception of time in art, and a particular way of understanding simulation: somewhere between contemplation and the critical gaze.
Teal Triggs talks about the historical background of zines and their key role in generating communities outside of the mainstream. She discusses in particular the Riot Grrrl movement and the language and visual universe that opened up as a result of the cross between music, DIY, activisim, femininity, and feminism in the self-publishing world.
We dig up some unreleased fragments of the interview with Peter Zinovieff that we were unable to include the first time around.
In FONS ÀUDIO #49, Peter Downsbrough takes his works from the MACBA Collection as a springboard to talk about a relationship with photography spanning almost half a century, and about how it fits into the jigsaw puzzle of techniques and disciplines that make up his artistic vocabulary. We talk about space, cities, invisible lines, and the critical attitude that runs subtly through his practice.