Specials
Pirate radio became one of the protagonists and main motifs of the narrative thread of Lizzie Borden's 'Born in Flames'. In this short excerpt, the cult and self-taught filmmaker Lizzie Borden shares the various reasons that led her to take an interest in the phenomenon of European free radio, and how it helped her to connect the various agendas of this cult film.
Independent publishing is experiencing a boom in the art world. Before the bubble bursts, we speak to Kit Hammonds and Bernhard Cella about the boom, the recovery of supposedly obsolete printing techniques, the risk-aversion of institutional art collections, about professionalisation and about digital generation.
Rogelio López Cuenca looks back at some of the key aspects that led to the creation of three works now in the MACBA Collection: 'No (W) here Postcards' (1998), 'Beaux Arts' (1992), and 'Musée Élan' (1989).
Meireles has the ability to materialise philosophical ideas through small gestures and a great economy of means. His processes are simple, owing to his propensity to not complicate things. In FONS ÀUDIO #45 Cildo Meireles talks about his works in the MACBA Collection.
Malcolm Le Grice talks about his 1970 work "Berlin Horse", which is part of the MACBA Collection and moves on to expanded cinema, materialist structuralism, latency, suspense, and the representation of time in his work.