Son[i]a
Irit Rogoff talks about ways of creating participatory, creative, and cognitive alliances that allow us to critically inhabit contemporaneity. She also calls for the need to devise processes of unlearning, inside and outside the academy, that will pave the way to new and unexpected kinds of knowledge.
María Ruido talks about the political power of images and the subversive potential of cinematic strategies such as off-screen, voice over, and editing, which help us understand and imagine the world in new ways. She also reflects on the always contradictory relations between the critical and experimental power of culture on one hand, and its institutionalisation on the other
Irish artist John Gerrard talks about his initial fascination with 3D scanners and about how they led him to develop his current practice, about his conception of time in art, and a particular way of understanding simulation: somewhere between contemplation and the critical gaze.
Teal Triggs talks about the historical background of zines and their key role in generating communities outside of the mainstream. She discusses in particular the Riot Grrrl movement and the language and visual universe that opened up as a result of the cross between music, DIY, activisim, femininity, and feminism in the self-publishing world.
Artist, curator and researcher Sofía Olascoaga gives an overview of the activist history of Cuernavaca, a small city, around 80km south of Mexico City, which from the 1950s to the 1980s attracted several generations of intellectuals and activists, and reflects on how community and self-managed spaces can drive social change, while also looking at the processes of cultural and institutional colonisation by the West in Latin America.