Research
Auxiliaries
The PROBES AUXILIARIES dig deeper into the main programme topic but are also programmed for your ecstatic listening pleasure; so examples here are edited and sequenced and cut together on the wheels of steal; there’s no talking either (at least not by me), so you need to download the playlist to get the details, backstory and relevance of each of the pieces featured. In this new episode, Hammonds talk, sing, swing, soar, strut and contemplate the universe, and Jerry Goldsmith takes the Novachord out into space and down to the bottom of the sea.
In PROBES #35 Chris Cutler examines the quiet electronic revolution ushered in by the Hammond organ and excavate traces of the visionary but short-lived Novachord - a polyphonic synthesiser born a quarter-century ahead of its time, which briefly flared - and then disappeared.
Nurturing the Ancient Undead
Undead Matter is an unfolding conversation about where life lies in the ever-turning matter of our universe, as it rhythmically resurfaces over millennia. In this new episode, artist, Oreet Ashery speaks with paleontologist Tori Herridge about discoveries in the permafrost, genetic legacies, cloning from the deep past, fertility and the unborn.
Resurfacing lives
In this episode, artist Bo Choy speaks with Sayana Namsaraeva, an anthropologist from Buryatia, south-eastern Siberia, exploring the traditional traditions and stories that have emerged from the landscapes surrounding Lake Baikal, the deepest and oldest freshwater lake on the planet, and how these influence worldviews and possibilities for the future.
Auxiliaries
The PROBES AUXILIARIES dig deeper into the main programme topic but are also programmed for your ecstatic listening pleasure; so examples here are edited and sequenced and cut together on the wheels of steal; there’s no talking either (at least not by me), so you need to download the playlist to get the details, backstory and relevance of each of the pieces featured. In this new episode, Chris Cutler explores otherworldly cruises through the many and wildly various applications of Maurice Martenot’s glorious instrument, with a side bar on the Trautonium.