Research
Chris Cutler's survey of the incorporation of exotic instruments into western musical vocabularies moves from the Caribbean to East Asia, considering, en route, the curious case of world music as a commercial and ideological category.
In this auxiliary, Indian classical instruments make the most of their access-all-areas pass to visit every genre and sprinkle kharmic dust.
In this auxiliary Western forms, in their hunt for timbre - and sometimes meaning - raid, amongst others, the musical resources of Australia, China, Mexico, The Alps, Turkey, Japan, Brasil, Korea, Peru, and Armenia.
In this auxiliary Chris Cutler meets more repurposed African instruments in several fields, and takes one glimpse at the reverse traffic. Interestingly, for the first time, there’s hardly any adoption in contemporary classical circles. Answers on a postcard, please.