Son[i]a #261
Jennifer Lucy Allan
This podcast is part of Re-Imagine Europe, co-funded by the Creative Europe programme of the European Union. Music commissioned to Tiago Pina. Editing by Matias Rossi.
The foghorn is a sonic marker used in conditions of low visibility to alert vessels of hidden navigational hazards. Part of the coastal landscape since its invention in the nineteenth century, foghorns became obsolete with the rise of automatic alert systems or simpler devices such as compressed air horns.
In 2013, the British writer and research Jennifer Lucy Allan, co-director of the record label Arc Light Editions, covered a performance of the ‘Foghorn Requiem’, a composition that marks the passing of the foghorn from the British coastal landscape. In her review she wrote: ‘The foghorn symbolises the sound of industry, the hollering of an age of engines, machines and power, and also a sound that is intensely nostalgic. It suggests loneliness and isolation, but is simultaneously a wordless reassurance to those out at sea that there’s a human presence nearby.’ The experience made such a strong impression on her that she ended up dedicating her doctoral thesis to researching the social and cultural history of foghorns, ‘a sound that’s lost and not lost at the same time.’
In this podcast we talk to Jennifer Lucy Allan about metereology and aurality, about volumes, distance and communities, about sounds disconnected from their function, holes in YouTube and holes in official archives, and amateur archivists. And about the making of sensory records before the end of the twentieth century and how this archival memory can be interpreted.
Alma Söderberg
Alma Söderberg is a choreographer and performer who works with music and dance. As well as exploring close listening, Alma listens to rhythm and movement, in order to inhabit polyrythm and "simultaneous difference", to quote Eric Davis by way of Alma. In this podcast, Alma tells us about the many musical influences that inspire her choreographic practice: jazz, flamenco, hip hop, and experimental and Afro-American music. She also talks about multiplicity, reduced listening and deep listening, about letting rhythm run through you, about the voice, sharing, idiorhythms, Anni Albers, weaving, learning to wait, and about playing.
Deleted scenes
We dig up some unreleased fragments of our conversation with choreographer and performer Alma Söderberg that we were unable to include the first time around. Alma discusses her influences, teachers and schools and two collective projects of different sorts: Manyone and John The Houseband.
Deleted scenes
We dig up some unreleased fragments of the interview with Jennifer Lucy Allan that we were unable to include the first time around.