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Chris Cutler continues to trace the way exotic instruments found their way into every corner of Western experimental music. Part 3: East Asia and the West Indies.

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In this auxiliary Chris Cutler meets more repurposed African instruments in several fields, and takes one glimpse at the reverse traffic.

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Bachelor pad hi-fi stereo exotica whips off its kitschy disguise to reveal a revolutionary core. By Chris Cutler.

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In this new auxiliary Chris Cutler follows the gamelan, falls into further experiments with percussion and slides inexorably into exotic appropriation.

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Chris Cutler wonders how far you can go with banjos, mandolins, balalaikas, jew’s harps and ensembles of folk instruments. And it’s pretty far.

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In this new auxiliary, bagpipes, zithers, harmonicas and hurdy-gurdys do things they aren’t supposed to do in contexts in which they aren’t supposed to do them... rather brillantly.

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This new auxiliary by Chris Cutler digs into new sounds made with long-forgotten instruments.

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This is the auxiliary in which harpsichords boldly go.

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This auxiliary by Chris Cutler listens to voices, mostly in groups, doing extraordinary things.

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This auxiliary wonders what the human voice can't do.

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This mix by Chris Culter explores extended techniques for percussion and winds.

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This auxiliary explores extended techniques for strings.

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This auxiliary investigates preparations for percussion and extended techniques for piano.

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This music selection investigates further preparations of stringed and brass instruments, in the quest for novel sounds.

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This music selection investigates further ways of piano preparations: will the torture never end?

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In this music selection we look further into sliding pitches, before moving on to wholly unpitched probes that begin to map the many aspects of differentiated noise.

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In this music selection we look further at probes into pitch, this time through its effective obliteration.

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Alternative tuning systems based on the naturally occurring harmonic series.

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In this music selection we look further at microtonal divisons based on equal temperament.

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