Jessica Ekomane
Deleted scenes
We dig up some unreleased fragments of our conversation with sound artist and musician Jessica Ekomane. We talk about sci-fi and emancipatory spaces, her VR project, her approach to live shows and her collaborations.
Jessica Ekomane
Jessica Ekomane is a sound artist and composer, and a lecturer in Sound Studies and Sonic Arts at the Universität der Künste Berlin. Ekomane’s quadraphonic performances and installations approach algorithmic/computer music as a social practice that is grounded in questions such as the relationship between individual perception and collective dynamics, and explores listening expectations and their societal roots. In this podcast, we talk about the freedom of play, eMule, pipe organs, the limitations and flexibility of Max/MSP, early non-Western sound synthesis, DIY research, quotas, minimalism, and her early love for Ligeti and Destiny's Child.
In previous episodes we have hinted at limits as an interesting feature of objects that are often fuzzy or vague, and therefore hard to outline. This time around, we take a radically different approach to limits. A much darker, urgent take on boundaries and edges, if you will. This is not so much about ontological boundaries, but rather about the dangers of looking at the world with no limits in mind. In dialogue with Andrea Ballestero and Chris Korda. Music by Jessica Ekomane.