female producers

To the Argentinian trumpeter, percussionist, songwriter, and producer Tatiana Heuman, the world is a dance floor and and sound comes into being through close bodily combat involving intuition, movement, and hurdles. Thus, a paradox arises in the recording process, when spontaneity and corporality are reduced to mere beats on a timeline. In this podcast, Tatiana Heuman talks about music that runs through the body, about the intersections between dance and percussion, about sounds that move, about deconstructed folklore and babbling, about formal and informal teaching, about addition and subtraction, about names that don’t mean anything, and about the experiences of women who play and lug around drum kits. 

Jennifer Walshe studied composition and often performs as a vocalist, but her practice and a whopping list of works over the past twenty years put her in a twilight zone where music, performance art, theatre and stage writing intersect and converge. Walshe’s approach to texts, scripts and musical scores is based on a recursive process, a kind of feedback loop which includes and acknowledges all sorts of information about the text itself – the context and paratext. In this podcast, we talk to Jennifer Walshe about writing, annotating, teaching, collecting, eavesdropping, performing, faking, and a touch of machine learning.

Antye Greie (aka AGF or poemproducer) is a poet, activist, sound artist, sound sculptor, and curator, born in East Germany and based on the island of Hailuoto in northern Finland for over fifteen years. In this podcast, we talk to Antye Greie about language, sound, and the body. At their intersection, the voice emerges, with its multiple resonances and different ways of introducing the voice of others through her own practice and space of visibility. Along the way, we look at her work and methodology, from the deconstruction of texts to the implementation of what she calls “feminist sonic technologies”.

Anthea Caddy is a Tasmanian-born and now Berlin-based experimental cellist and sound artist who explores projected sound energy through spatial practices that highlight acoustic and physical phenomena. In this podcast, Anthea walks us through her journey from playing cello in rock bands as a teenager to her ongoing research into projected sound energy. She explains her long-term research on directional speakers and the results of the iterations and testing of the parabolic speakers. She also talks about documentation and about the difficulties of approaching large-scale sound performance.