DIWO
Marwa Arsanios
In this podcast, Lebanese artist, researcher, and filmmaker Marwa Arsanios unpacks the many conversational tactics embedded in her modes of working in the gaps between art and activism, in the intersection between ecological thinking, land struggles, and feminist politics. We talk about reading groups, the film object, solidarity as a practice, and using the art economy to bring communities and movements together.
Open-weather
In this two-voice podcast, researcher-designer Sophie Dyer and creative geographer Sasha Engelmann weave speculative storytelling through glitchy weather satellite transmissions in a dialogue tinged with the feminist meta-practices that run deep beneath their collective operations. Together, they talk about NOAA satellites, about building alliances and about weather literacy, occasionally interviewing each other as friends and guiding us through the generous network of feminist thinkers that informs their practice.
Deleted scenes
We dig up some unreleased fragments of our conversation with Tucuman artist Gabriel Chaile, which we couldn’t include the first time around. We talk about his education through a mix of public school, recounted memories, and observing family handicrafts. Once again, we defend slowness as a way of being and living in the world, and we join Nestor García Canclini in wondering how to think about the coexistence of elements or groups that consider themselves different, in our turbulent times.
pantea
In this podcast, we talk to Iranian artist pantea about studying in Edinburgh, about the peat bogs of Scotland and about the misconceptions surrounding wetlands. We discuss agency, more-than-human subjectivities and the (im)possibilities that open up when thinking-with sundew, and talk about her experience with the Khamoosh listening and archiving community.
Imani Mason Jordan
In this podcast interdisciplinary writer, artist, editor, curator and plant lover Imani Mason Jordan reflects on the conflicting meanings of community, which they sum up as “ a feeling and a relationship”. Finding guidance in the writings of Audre Lorde (and others)—through collective reading and listening—, Imani makes an urgent call for action, in order to disrupt and overcome the numbing of our emotions. Cadence, resonance, repetition and the bodily urgency of protest speeches operate in their artistic vocabulary as key tools for world-breaking, as well as world-making.