Creative Commons
Jaime Vindel
We talk to researcher, teacher, and essayist Jaime Vindel about art, entropy and economics. We go into museums and petrol stations to understand their materiality. We talk about the universal exhibitions of the 19th century and how the removal of objects from their places of origin is directly linked to the process of environmental degradation. We look at their steel and glass pavilions, and find the concrete. We also discuss coal and oil, the concept of productivity, and the dark underbelly of certain visual imaginaries
Deleted scenes
We dig up some unreleased fragments of our conversation with writer, researcher and curator Maite Garbayo-Maeztu that we were unable to include the first time around.
Transcript
Transcript of PROBES #30, curated by Chris Cutler.
Andrea Ballestero
Whether in her teaching or her participation in the popular resistance for universal access to water, Andrea Ballestero’s approach is a feedback exercise that completely blurs the division between theory and practice. Her work advocates a collaborative, feminist modus operandi on ethnography, as well as the affordances of the environment: be that an ecosystem, a regulatory agency, or 'the technolegal devices at the centre of these political mobilisations'. We talk to Andrea Ballestero about aquifers and amorphous futures, about imagination as an essential part of the academic research process, and about the potential of bureaucratic practices as cogs in a possible machinery of change—which does not necessarily have to involve large-scale global transformations.
Cabello/Carceller
In FONS AUDIO #52 Cabello/Carceller talk about their two works in the MACBA Collection: 'I Don't Care about Your Gaze Anymore' (February 1994) and 'A/O (The Céspedes Case)' (July 2009-July 2010). Through them, they reflect on blurred identities, on the diverse possibilities of genders and on the need to create new representations that disrupt the traditional patterns structuring our gaze.