computer music
Deleted scenes
We dig up some unreleased fragments of our conversation with sound artist and musician Jessica Ekomane. We talk about sci-fi and emancipatory spaces, her VR project, her approach to live shows and her collaborations.
Jessica Ekomane
Jessica Ekomane is a sound artist and composer, and a lecturer in Sound Studies and Sonic Arts at the Universität der Künste Berlin. Ekomane’s quadraphonic performances and installations approach algorithmic/computer music as a social practice that is grounded in questions such as the relationship between individual perception and collective dynamics, and explores listening expectations and their societal roots. In this podcast, we talk about the freedom of play, eMule, pipe organs, the limitations and flexibility of Max/MSP, early non-Western sound synthesis, DIY research, quotas, minimalism, and her early love for Ligeti and Destiny's Child.
John Chowning
John Chowning shares the experience of being a pioneer in a discipline at a time when using computers to generate music was a leap into the void between creative eccentricity and scientific adventure.
EVOL
Roc Jiménez de Cisneros talks about EVOL’s very free deconstruction and reinterpretation of György Ligeti's 'Continuum' and Hanne Darboven’s 'Opus 17A', and how these works relate to the duo's current artistic practice. Unusual notions of time in relation to music, algorithmic reverse engineering, complexity through simplicity, anti-climax, ancient trance music, weird mental states and Dick Higgins’ Superboredom concept pop up in the conversation.
Once Upon a Time in CA
A spaghetti western about experimental music on the West Coast in the 1980s.