VARIATIONS
Chris Cutler investigates how the fact and the practice of sound recording have transformed every aspect of production and reception in the field of organised sound, creating wholly new genres and understandings.
As art and industrial practitioners formally map out the discipline, hip-hop's discovery of digital sampling technology in the mid-80's provided a reintroduction to its original roots in block party DJ collage.
An overview as the art music tradition of collage music is joined by the popular culture tradition of hip-hop, which would establish many of the same aesthetics and practices solidly in the mainstream.
In the seventies the avant-garde finally crosses the line into wholesale plundering of commercial pop music, and the pop disciplines of disco and dub become increasingly comfortable with manipulating released music into new forms, narrowing the divide between art and pop practices.
The second episode of this series presents an overview of the sixties, starting with the world music collages of Richard Maxfield, Teiji Ito and Karlheinz Stockhausen, and following through to the impact of John Cage and Marshall McLuhan on the Beatles.