Son[i]a
Bifo talks about mass killings in relation to cinema, mental health, neuroplasticity, friendship, irony and, ultimately, hope.
Michel Feher talks about the neoliberal project and its repercussions on education and culture. Feher also explores the importance of language, both in its liberal roots and in the changes that it has undergone in recent years as a result of the economization of politics.
Luz Broto talks about invisible forces, the space of art, negotiation, the visualization of processes, the poetics of politics, the art of the void, and her exquisite capacity to stick her nose where it doesn’t belong.
Ignacio Uriarte talks about his daily routine as an artist, the demise of the physical office, the persistence of his imaginary, and about procrastination and over-compliance with rules as two different forms of resistance to imposed efficiency and productivity.
John Chowning shares the experience of being a pioneer in a discipline at a time when using computers to generate music was a leap into the void between creative eccentricity and scientific adventure.