Son[i]a
Peter Zinovieff talks about how he assembled the world's first personal computer, his time at EMS and the team that accompanied him, about the listening room, academia, and the tribulations of paper-tape; about engineering, experimentation and how not to keep a sound archive; about Unit Delta Plus, how to run a synthesiser off a windmill, and how to kindly ask a computer to make us a beautiful composition.
Bernard Stiegler talks about education and smartphones, translations and linguists, about economic war, climate change, and political stupidity. We also chat about pharmacology and organology, about the erosion of biodiversity, the vital importance of error, and the Neganthropocene as a desirable goal to work towards, ready to be constructed.
Luke Fowler talks about music, computers, and instruments, about infrasound, ultrasound, and thresholds of the listenable, about archives and obsessions, about affect as a film editing criteria, and about the enormous complexity involved in representing a person’s life. We also talk about the forces that make some artists disappear from the cultural canon altogether in spite of having created fascinating, ground-breaking work.
Dance interpreter, choreographer, thinker, writer, teacher and curator Boris Charmatz reflects on how to address power structures within the artistic field. He also talks about polisemy, collectivity, communities and anti-communities, radical pedagogy, dissent, the Musée de la danse, the complex and inexhaustible relationship between dance and history, working inside gestures, and the beauty of older people skateboarding.
Zenaida Osorio provides a critical reading of the official account of Radio Sutatenza and of the representations of peasants in the archive. Through this case study, Zenaida reflects on the contrast between the national images (in this case Colombian) that are considered legitimate by networks of civil servants, media producers, and academic researchers.