Son[i]a #369. Sethembile Msezane
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![Son[i]a #369. Sethembile Msezane](https://img.macba.cat/wp-content/uploads/2024/03/isimo-burnsitestill3.jpeg)
We dig up some outtakes from our conversation with South African artist Sethembile Msezane, who riffs on our disconnection from nature. Movement, water, ancestry and spirituality also come up, along with some side notes on the different types of relationships that institutions and public space make possible.
<p>Image: Sethembile Msezane "Isimo", 2021. Video still. Courtesy of the artist</p>
Sarah Nuttall
Over the past 10 years, South African scholar Sarah Nuttall's work has focused on post-colonial criticism, urban theory and literary and cultural studies, especially in relation to Africa and its diasporas. Her current area of interest revolves around water, heavy rainfall, flooding and hydrocolonialism, and how they intersect with materiality, time and daily life. But also around how water can be traced and analysed across works of literary fiction from the African continent. ‘Pluviality’, the umbrella term she coined for this purpose, serves as a conceptual framework and a methodological approach to her study of rain in an era of extreme climate emergency.
Kendell Geers
South African artist Kendell Geers talks about structures of power, terrorism, linguistic violence, Africanness and socio-political tensions before and after apartheid.
Sethembile Msezane
Working from the foundations of historical narrative and its constructs, African knowledge systems, and a contemporary take on colonial wounds, South African artist Sethembile Msezane has an interdisciplinary practice that goes beyond critique. In this podcast, Sethembile talks about her rejection of modern throwaway culture, convinced that the history and experiences of ancestors contain clues and know-how that allow us to imagine different futures. She believes that good omens must enter through spirituality and dialogue with ancestors. Art is simply a tool.