Son[i]a #366. Antye Greie (AGF)
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We dig up some unreleased fragments of our conversation with poet, activist, sound artist, sound sculptor and curator Antye Greie. We unpack some of her strategies to deploy what she calls “feminist sonic technologies”. And we do so, starting with her own understanding of unlearning.
This podcast is part of New Perspectives for Action. A project by Re-Imagine Europe, co-funded by the European Union. Coproduced by Sonic Acts.
Conversation: Anna Ramos. Script: Verónica Lahitte. Sound production: Anna Ramos. Recorded: February 2022.
Antye Greie (AGF)
Antye Greie (aka AGF or poemproducer) is a poet, activist, sound artist, sound sculptor, and curator, born in East Germany and based on the island of Hailuoto in northern Finland for over fifteen years. In this podcast, we talk to Antye Greie about language, sound, and the body. At their intersection, the voice emerges, with its multiple resonances and different ways of introducing the voice of others through her own practice and space of visibility. Along the way, we look at her work and methodology, from the deconstruction of texts to the implementation of what she calls “feminist sonic technologies”.
Angela Dimitrakaki
Angela Dimitrakaki talks about the new feminist critique, the limits of democracy, the wiles of post-capitalism, and the ambivalence of the commons. We also touch on the notions of radical curating and collaborative practices.
Jessica Ekomane
Jessica Ekomane is a sound artist and composer, and a lecturer in Sound Studies and Sonic Arts at the Universität der Künste Berlin. Ekomane’s quadraphonic performances and installations approach algorithmic/computer music as a social practice that is grounded in questions such as the relationship between individual perception and collective dynamics, and explores listening expectations and their societal roots. In this podcast, we talk about the freedom of play, eMule, pipe organs, the limitations and flexibility of Max/MSP, early non-Western sound synthesis, DIY research, quotas, minimalism, and her early love for Ligeti and Destiny's Child.