Son[i]a #320. Ji Youn Kang
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![Son[i]a #320. Ji Youn Kang](https://img.macba.cat/wp-content/uploads/2024/03/ji-youn-kang.jpg)
We dig up some unreleased fragments of our conversation with sound artist Ji Youn Kang that we were unable to include the first time around.
Co-produced by Lighthouse (Brighton). This podcast is part of Re-Imagine Europe, co-funded by the Creative Europe programme of the European Union.
Ji Youn Kang
Ji Youn Kang’s abstract compositions are infused with her personal blend of Western experimental sound and Korean ritual music. This hybrid background also seeps into her live performances, where she explores the primitive and empowering rhythmic structures of Korean shamanism –often building up from slow to fast– and noisy sound through an amalgam of handmade analogue devices, acoustic instruments, and digital signal processing techniques. In this podcast, Ji talks about Korean ritual music, perfect 5ths and nature, resonating objects, noise, self-built instruments, uncertainty and tension, Wave Field Synthesis, and strategies to engage online audiences in meaningful communication.
Arthur Sauer about Wave Field Synthesis
Arthur Sauer, co-founder of The Game of Life, the world's only mobile Wave Field Synthesis system, talks about immersive sound, spatial electronic music, and other applications of Wave Field Synthesis.
Hugo Esquinca
Hugo Esquinca’s work is a multi-layered crust, intentionally obfuscated through excess, deliberately hard to peel. Scraping off layers of obfuscation in this dense network of transductive interactions gets you nowhere, cause those layers are precisely what Hugo uses in order to expose you (and himself) to a sort of sensory overload. We discuss with Hugo how growing up in the hyperchaos of Mexico City relates to his fascination with speed, overabundance and syncretism.