SON[I]A #207. Eyal Weizman
Deleted scenes
We dig up some unreleased fragments of the interview with Eyal Weizman that we were unable to include the first time around.
Deleted scenes
We dig up some unreleased fragments of the interview with Domènec that we were unable to include the first time around.
Domènec
Domènec talks about his working and documentation processes – what he calls “bastard research”, always straddling art, anthropology, sociology, history, journalism, and activism. He also reflects on the nature of the spaces of art as public spaces, and gives a detailed account of some of his most notable works.
The slippery materiality of untraceable objects: from the arsenic poisoning the wells of Bangladesh as told by Nabil Ahmed, to Arie Altena's account of the superstition surrounding the Kola Superdeep Borehole in Russia, or the bizarre biology of the vampire squid from hell in a passage of Vilém Flusser’s ‘Vampyroteuthis Infernalis’ read by AGF.
Eyal Weizman
Eyal Weizman talks about the basic principles of forensic architecture, its practical applications, and its links to the world of art and creation.