PROBES #12
Transcript
Curated by Chris Cutler
In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music).
A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines of ‘music’.
This series tries analytically to trace and explain these developments, and to show how, and why, both musical and post-musical genres take the forms they do. In PROBES #12 harpsichords return from the dead; a spectre is haunting music: the harpsichord.
PROBES #11 goes oral: everything your mother wouldn’t tell you about what people can do with their mouths, and a little bit of spit.
Chris Cutler's PROBES #13 tracks the recovery and reassignment of ancient and folk instruments in unfamiliar contexts.
Auxiliaries
This is the auxiliary in which harpsichords boldly go.
In Chris Cutler's PROBES #12 harpsichords return from the dead; a spectre is haunting music: the harpsichord.