PROBES #12
Curated by Chris Cutler
In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music).
A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines of ‘music’.
This series tries analytically to trace and explain these developments, and to show how, and why, both musical and post-musical genres take the forms they do. In PROBES #12 harpsichords return from the dead; a spectre is haunting music: the harpsichord.
Transcript
Transcript of PROBES #13, curated by Chris Cutler.
Transcript
Transcript of PROBES #11, curated by Chris Cutler.
Auxiliaries
This new auxiliary by Chris Cutler digs into new sounds made with long-forgotten instruments.
Chris Cutler's PROBES #13 tracks the recovery and reassignment of ancient and folk instruments in unfamiliar contexts.
Auxiliaries
This is the auxiliary in which harpsichords boldly go.
Transcript
Transcript of PROBES #12, curated by Chris Cutler.
Auxiliaries
This auxiliary by Chris Cutler listens to voices, mostly in groups, doing extraordinary things.
PROBES #11 goes oral: everything your mother wouldn’t tell you about what people can do with their mouths, and a little bit of spit.