FONS ÀUDIO #58
Lucía C. Pino
Artist Lucía C. Pino approaches her sculptural work as a conversation with the materials, the media and the surroundings—in relation to where they come from as well as the place they will occupy—, emphasising their performative aspect and their interdependence with her every move. It is a practice that is not easily defined, permeated by a wide range of interests, influences and concerns, among which Lucía includes the rituals of reading, writing, and doing-with-others. Imbued with a transfeminist spirit, her assemblages allow her to speculate on a complex but also intimate reality, creating a dialogue between the materiality, the space, and the relationships that can emerge from the art device.
In FONS ÀUDIO #58, Lucía C. Pino presents Non-Slave Tenderness, a project created specifically for Espai 13 at the Fundació Joan Miró in 2018, which includes three pieces that now form part of the MACBA Collection: Piece 2 Non-Slave Tenderness 113 1331, Piece 3 Non-Slave Tenderness 113 1331, and Piece 5 Non-Slave Tenderness 113 1331,. We talk with Lucía about tenderness, and about the crystallisation of viscosity and flow that is epitomized in her work. We also open up an ever-changing and constantly updated glossary, which introduces borrowed notions such as “busto” (bust) and “pellejo” (skin), allowing us to think in terms of volumetry and structure, but also in terms of their relationship the body. And as we talk, we very tentatively start to consider the (fragile, but real) hope that art may be able to change and affect our thinking.
Conversation: Ricardo Cárdenas and Anna Ramos. Script: Ricardo Cárdenas. Sound production: Albert Tarrats. Photo: Miquel Coll.
Cabello/Carceller
In FONS AUDIO #52 Cabello/Carceller talk about their two works in the MACBA Collection: 'I Don't Care about Your Gaze Anymore' (February 1994) and 'A/O (The Céspedes Case)' (July 2009-July 2010). Through them, they reflect on blurred identities, on the diverse possibilities of genders and on the need to create new representations that disrupt the traditional patterns structuring our gaze.
Lucía Egaña
Lucía Egaña is an artist, writer, teacher, and anti-racist transfeminist activist. Lucía is a misfit researcher who for years has been implementing protocols designed to self-institute practices and spaces underpinned by a collective approach. Her methodology is undisciplined (or, as she says, subnormal), championing the bizarre, dirty, and marginal as a fertile testing ground for various relational, educational, and/or artistic devices. In this podcast we talk to Lucía Egaña about pedagogical processes, bibliographic dissent, wild writing, and the generative and affirmative potential of rage. We discuss identity politics, single-sex spaces, friendship as an engine for research, and the power of processes organised around informality and affects.