natureculture
Femke Snelting
Possible Bodies questions and problematises the formulation, conception, and rendering of bodies across different 3D technologies such as modelling, tracking and scanning. Their affirmative critical research draws attention to the ways in which these techniques end up implementing and even amplifying a host of prejudices based on race, gender, class, age and ability which, far from being circumstantial, are woven into the actual source code of all sorts of applications. We talk to Femke Snelting about embodiments, optimisation, and 3D disasters, about the possible and the probable, parametric interfaces, and open standards, and about disobedient action research.
Deleted scenes
We dig up some unreleased fragments of our conversation with writer, researcher and curator Maria Ptqk. We open the door to indigenous epistemologies that help us identify Western mechanisms of knowledge production and legitimisation, we problematise the notion of invasive species, and, three decades after the Cyborg Manifesto, we put a question from Maria Ptqk to Donna Haraway in a bottle.
Maria Ptqk
We talk to the researcher and curator Maria Ptqk about the possible methodological alliances between art and science. We check out her recent years of research, which have crystalised in the exhibition Science Friction. Life among companion species and in other embodiments and projects. We look at the narrative dimension of scientific knowledge, via Donna Haraway, and at the symbiotic relationships between interdependent organisms through the work of Lynn Margulis. We rethink the complex boundaries between the cultural and natural spheres, and we also embrace the monstrous, in order to call for a multispecies paradigm that overturns human supremacy.
Elaine Gan
A grain of rice sits in a field on the banks of the Mekong river. A water buffalo breaks up soil in the Ifugao terraces in the Philippines. A black box containing rice seeds is placed on a shelf inside the Svalbard seed vault at -18°C in Norway. From such a common seed, hidden in plain sight, artist-scholar Elaine Gan weaves a dynamic network of relationships connecting agroecology and more-than-human sociability, subsistence farmers and climate change, contaminated taxonomies and feminist theory.In this podcast, Elaine Gan talks about crop science, feral technologies, the global pandemic, radical difference, the art of noticing, Matsutake mushrooms, and, of course, the blahblahsphere.