landscape reading
pantea
In this podcast, we talk to Iranian artist pantea about studying in Edinburgh, about the peat bogs of Scotland and about the misconceptions surrounding wetlands. We discuss agency, more-than-human subjectivities and the (im)possibilities that open up when thinking-with sundew, and talk about her experience with the Khamoosh listening and archiving community.
Elaine Gan
A grain of rice sits in a field on the banks of the Mekong river. A water buffalo breaks up soil in the Ifugao terraces in the Philippines. A black box containing rice seeds is placed on a shelf inside the Svalbard seed vault at -18°C in Norway. From such a common seed, hidden in plain sight, artist-scholar Elaine Gan weaves a dynamic network of relationships connecting agroecology and more-than-human sociability, subsistence farmers and climate change, contaminated taxonomies and feminist theory.In this podcast, Elaine Gan talks about crop science, feral technologies, the global pandemic, radical difference, the art of noticing, Matsutake mushrooms, and, of course, the blahblahsphere.
Deleted scenes
We dig up some unreleased fragments of our conversation with the slovak sound artist Jonáš Gruska that we were unable to include the first time around.
AM Kanngieser
Political geographer and sound artist AM Kanngieser works in the coordinates between space and sound. This merging of disciplines that seems completely normal to her tends to be more perplexing to the compartmentalised world of science and academia than to the undisciplined field of artistic practice. In this podcast, we become the listeners as AM Kanngieser reflects on expanded listening, on the inaudible, and on our anthropocentrism. They talk about their long-standing interest in sound governance and dissect the many tensions that built up in the project “Climates of Listening”, which was originally based on the intention of amplifying campaigns for self-determination and self-representation in the Pacific.