Sonic Acts
pantea
In this podcast, we talk to Iranian artist pantea about studying in Edinburgh, about the peat bogs of Scotland and about the misconceptions surrounding wetlands. We discuss agency, more-than-human subjectivities and the (im)possibilities that open up when thinking-with sundew, and talk about her experience with the Khamoosh listening and archiving community.
Gabriel Chaile
In this podcast, we talk to Gabriel Chaile about slowness as a space of resistance, about the austere and changing bodies of his functional sculptures, and about poverty, memory and oblivion. Following the rhythm of his own life, we travel from the shores of Tucumán to the centre of the contemporary art world and the international scene. And along the way, we discover and lay the first stones of his Centro Cultural Ambulante [Travelling Cultural Centre], which is not really a space but a beacon calling for an attitude to life and connection with others.
Deleted scenes
We dig up some unreleased fragments of our conversation with Mexican artist Juan Arturo García. With the design of neutral Spanish as a case study, we broaden our conversation around living and dead languages, dialects, the uses of language and the dynamics of linguistic prestige. We imagine subtitling as a creative space, while rethinking typography from a political lens, questioning legibility and conventional strategies through his own practice.
Charmaine Chua
In this podcast, Singaporean organizer, writer, and scholar Charmaine Chua shares her research on the containerization of global logistics from the vantage of the Global South. Her journey begins aboard a container ship, embodying ethnographic observation and field work, as well as a radical rereading of the naval archive records of the colonial project. The mix of methodologies, experiences and data highlights the incongruities and the environmental, legal, and labour abuses that appear in the capitalist wet dream of efficiency in global trade.
Juan Arturo García
In this podcast, we talk to the Mexican artist Juan Arturo García about language and plants—or about how taxonomy overwrote one tradition of thought and replaced it with another, by way of Latin. Which is, paradoxically, a dead imperial language. We take a close look at his practice, concentrating on the role of speculation, fiction, and the archive in the way his stories come together. We talk about the emergence of neutral Spanish, and Juan Arturo tells us about the first stages of a film that explores the strange arrival of a nuclear reactor in Colombia around 1950.