radio

In this podcast, we talk with Edwin van der Heide about using radio as a way into the public, outside world, and about radio as a highly regulated space that sometimes resists experimentation. We discuss his early interest in short and medium wave radio and how it came to be expressed in these immersive, awe-inspiring installations, and we speculate about the production of meaning inherent in each of them.

In this two-voice podcast, researcher-designer Sophie Dyer and creative geographer Sasha Engelmann weave speculative storytelling through glitchy weather satellite transmissions in a dialogue tinged with the feminist meta-practices that run deep beneath their collective operations. Together, they talk about NOAA satellites, about building alliances and about weather literacy, occasionally interviewing each other as friends and guiding us through the generous network of feminist thinkers that informs their practice.

We dig up some unreleased fragments of our conversation with Open-weather’s researcher-designer Sophie Dyer and creative geographer Sasha Engelmann, which we couldn’t include the first time around. They share their “origin story” while demonstrating “live” their collaborative dynamic. The poetics and materiality of radio, in its capacity to sense and to resonate at a distance, emerge as a tool for insightful alliances, as well as speculative and radical experiments, from the Feminist Antifascist Weather Front to radio mirrors.

Agitators by nature, Sarah Washington and Knut Aufermann's radio practice involves the activation of ephemeral radio stations that emerge from a mix of technical skills and knowledge, their desire to keep trying new things and testing the medium, and their capacity to bring out the best in the local communities that host them. In this podcast, they talk about their approach to radio through the various spaces they have activated over the years: from workshops to major projects such as the studio at the São Paolo Biennial, Radio Revolten: 30 Days of Radio Art in Halle, and the 100-day Radio Art Zone. They also talk about smaller projects, such as their improvisation duo, Tonic Train, which encapsulates their idea of artistic practice –and life– as something dirty and leaky, in the best sense of the words.