infrastructure

In this podcast, we sit down with transdisciplinary researcher and curator Yaiza Hernández to get to the heart of her deep-dive research into what she has coined Terminal Tourism. Drawing upon the long tradition of academic scholarship, but also from a situated perspective as a native from the Canary Islands, Yaiza unpacks the constellation of problems orbiting the travel industry, from environmental degradation to rampant gentrification and the subsequent disruption of local infrastructures, and a whole host of other socioeconomic inequalities.

Through media such as lectures, performance, video, drawing, installation, and sculpture, Haig Aivazian’s multifaceted works intricately blend the personal and the geopolitical as well as micro and macro narratives. They uncover or perhaps even fabricate complex threads, timelines and visual networks with multiple layers of meaning and ambiguity. His stories are intended to puzzle, reveal intangible connections, and evoke a sense of ghostly friction among conflicting ideas. In this podcast, we talk to Haig Aivazian about counter-propaganda, sports, blackouts, Palestine, fugitivity and what he calls “the dumping grounds of democracy”.

In this podcast, Singaporean organizer, writer, and scholar Charmaine Chua shares her research on the containerization of global logistics from the vantage of the Global South. Her journey begins aboard a container ship, embodying ethnographic observation and field work, as well as a radical rereading of the naval archive records of the colonial project. The mix of methodologies, experiences and data highlights the incongruities and the environmental, legal, and labour abuses that appear in the capitalist wet dream of efficiency in global trade.    

Dani Admiss is an independent curator, researcher and educator who spent part of her childhood in Dubai before emigrating to the UK and settling in Edinburgh. Her projects are situated at the intersection of art, design, technology and cultural practice and—in a constant search for a sense of belonging—explore infrastructures and relationality. "Sunlight Doesn’t Need a Pipeline" emerged in response to the simple and complex question: “How can I be useful?” The answer—by creating a decarbonisation plan for the gallery—gradually took the form of a conversation of many voices, involving various communities in an exercise in social justice and collective learning to rethink the processes of the art world in times of climate emergency.