Indigenous peoples
Aura Cumes
Aura Cumes charts a lucid historical path through colonial processes, analysing the mechanisms of control, violence, and dispossession that have perversely shaped the identity of the native-servant, relegated in favour of the progress and well-being of white men, their families, and their capital. Racism and sexism thus progress side by side, in a web of exploitation in which hierarchies often overlap.
Deleted scenes
We dig up some unreleased fragments of the interview with Aura Cumes that we were unable to include the first time around.
Elvira Espejo Ayca
Elvira Espejo Ayca is an indigenous artist, weaver, writer, poet and researcher. Her work brings to light collective strategies that resist monoculturalization, moving back and forth between the rural and urban, between ancestral practices and the colonial gaze, between the sentipensamiento (feeling-thinking) of indigenous peoples and the predominance of academic Eurocentrism. In this podcast, we take a deep dive into the actions of the National Museum of Etnography and Folklore (MUSEF) of La Paz (Bolivia) in search of mutual understanding and respect, while weaving and reweaving the historical gaps and bridges between two worlds.
Deleted scenes
We dig up some unreleased fragments of the conversation with artist, weaver, writer, poet and indigenous researcher Elvira Espejo Ayca that we were unable to include the first time around. We talked about the flow of linguistic structures and writing processes, introducing the notion of “oraliture” and the importance of the rhythm of song in the exchanges that take place in her community.
Gabriel Chaile
In this podcast, we talk to Gabriel Chaile about slowness as a space of resistance, about the austere and changing bodies of his functional sculptures, and about poverty, memory and oblivion. Following the rhythm of his own life, we travel from the shores of Tucumán to the centre of the contemporary art world and the international scene. And along the way, we discover and lay the first stones of his Centro Cultural Ambulante [Travelling Cultural Centre], which is not really a space but a beacon calling for an attitude to life and connection with others.