Guatemala
Aura Cumes
Aura Cumes charts a lucid historical path through colonial processes, analysing the mechanisms of control, violence, and dispossession that have perversely shaped the identity of the native-servant, relegated in favour of the progress and well-being of white men, their families, and their capital. Racism and sexism thus progress side by side, in a web of exploitation in which hierarchies often overlap.
Deleted scenes
We dig up some unreleased fragments of the interview with Aura Cumes that we were unable to include the first time around.
Marilyn Boror Bor
In this conversation, we talk with Maya-Kaqchikel artist and activist Marilyn Boror Bor about languages, textiles, relationality, extractivism, and cement. She tells us about the slow violence of processes of assimilation, about the importance of the Mayan language and culture, and of how colonisation has demonised ancestral knowledge. She recounts what it means to live in a land perforated by a cement factory, where water scarcity becomes the norm and mountains are drilled until they lose their spirit. Hence the urgency of the connection to the land and indigenous struggles, which are not new, but have always existed: a millennial memory that still breathes.