electricity
In PROBES #33 we begin to trace the impact of the application of electricity on the world of music and look more closely at the Musical Telegraph, the two-hundred-ton Telharmonium (a 19th century mechanical synthesizer) in America, as well as the Theremin and the visionary Rhythmicon in the USSR.
Transcript
Transcript of PROBES #33, curated by Chris Cutler.
In PROBES #34 a sequence of new, purely electronic, instruments appear – amongst them (the) electrophon, kurbelspharophon, ondes Martenot, dynophone, croix sonore, pianorad, trautonium and mixtur trautonium – none having any obvious place in the existing vocabulary of musics. In parallel an alien aesthetic begins to redefine the parameters of ‘musical’ sound.
Transcript
Transcript of PROBES #34, curated by Chris Cutler.
Auxiliaries
In PROBES #37.2, Chris Cutler opens a conversation with crooners, experimental artists, and rock legends in order to exchange notes at their EA (Electricionists Anonymous) meeting on their mutual dependency on microphones and loudspeakers (feedback welcome).