Specials

115 podcasts
07.11.2024
32 MIN
Spanish
FONS ÀUDIO #60
Helena Vinent
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In FONS ÀUDIO #60, artist Helena Vinent takes us deep into her work "Hard Persistence". Her artistic practice resonates with a crip-queer and/or anti-ableist perspective: in short, a politics of life that advocates for those marginalised by a system that standardises and validates the body for the benefit of capitalism. In "Hard Persistence", subtitles, closed captions, displacements, hapticity and the cyborg body—via prostheses—come together in a fragmentary narrative that questions the essentialist idea of a fixed identity. The starting point is the premise that, in an ableist context such as ours, a body assigned as disabled is not read as a complete human body.
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Specials anticapacitisme closed captions Creative Commons crip theory cyborg Helena Vinent MACBA Collection prostheses queer
26.06.2024
38 MIN
Spanish
FONS ÀUDIO #59
Marcelo Expósito
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In FONS ÀUDIO #59, artist, writer and activist Marcelo Expósito revisits his work in the MACBA Collection Photowritings 2011-2019 (Dedicated to Allan Sekula), a personal, sometimes intimate look at a series of collective experiences of self-determination and resistance. Marcelo talks about demonstrations, mass events and the occupation of public space, but also about micropolitical space and forms of bonding, empathy and solidarity.

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Specials FONS ÀUDIO 15M activism collective creation Creative Commons Las Agencias MACBA Collection Marcelo Expósito photography solidarity writing
12.06.2024
112 MIN
English
OBJECTHOOD #9
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OBJECTHOOD #9 keeps asking questions about the limits and borders of stuff all around us – from countries to nuclear sites. We talk to Kyveli Mavrokordopoulou about her work on exclusion zones and radioactive waste management, focusing on temporal and spatial thresholds. Our second guest, researcher and activist Nishat Awan, talks about unsettlement and geopolitical borders, especially in relation to Pakistan and her field work in Balochistan. Get ready for a deep dive into the oddness of boundaries, including political demarcations, the interplay between insects and radiation leaks, forced displacements, and gigantic triangles, to name but a few. Curated by Roc Jiménez de Cisneros

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In the second episode of this series we pick up where we left off in our conversation with Lluïsa Roca, Luisa Ortínez, Xefo Guasch and Carles Ameller. With them, we explore Vídeo-Nou’s working methodologies, which were developed on the go, in the field, by doing things: because video was a new medium at the time, and because, together, they were inventing a system of transversal collaboration through which to capture the views and demands of a society eager to express itself after forty years of dictatorship, censorship and repression. Vídeo-Nou saw video as a mechanism for social engagement and intervention, making space for listening, conversation and debate as creative tools. Through video, the group became actively involved in neighbourhoods, community centres and associations, trade unions, and cultural spaces, opening up platforms for dialogue.

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about Specials
The Specials line presents projects by artists and curators who are in some way connected to the museum’s programming, the MACBA Collection, or the territory of RWM: radiophonic practice at the intersection of art and politics. This section includes both thematic series and one-off programmes that pick up the thread of the various MACBA programming lines, exhibitions, and public programmes, in a parallel, complementary research process that revolves around orality and discursive strategies.
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Son[i]a
Son[i]a #384
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Son[i]a #384
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34:58