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DeForrest Brown, Jr. | Speaker Music
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Astrida Neimanis
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translation
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Marc Larré
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Phonos (UPF/Barcelona)
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Grant Watson
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Sayana Namsaraeva
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Lee Lozano
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Video-Nou
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26 results
We dig up some unreleased fragments of our conversation with choreographer, performer and artist Itxaso Corral, which we couldn’t include the first time around. With Itxaso, we embrace the complexity of being-and-doing-with-others, and we look inside some of the notions that underlie her thinking-by-doing: hijacked words that can be set free, such as tenderness, naivety, empathy, modesty and cringe. We also open up a host of questions—poetic, political, and convivial—in order to spend some time with them, leaving them unanswered. How far do things go? Is reading a text just reading a text? Does a written text remain only on the page? Is there no vibration? Who is legitimized, and to say what? Which things are accepted as legitimized and which are left out? Do I seem to be alone? Where can we come together?
Marc Larré works with video, photography, sculpture and objects, giving free rein to a dilettante practice that entails attentive listening to the materials he handles, and also to the context—to his surroundings. In his thinking-by-doing, Marc generates countless unexpected connections between temporary situations, objects, and people, in order to question notions of progress and modernity. In this podcast, we talk to Marc Larré about megaliths, stones, and anti-monuments. As we listen, artisanal practices, traces, frictions, clay, and plaster make an appearance. We talk about the experiential dimension of his practice and about the connections and synergies with the art community in Barcelona. And naturally, we also talk about art, about precarity, and about the need to rethink our working conditions, together.
We dig up some unreleased fragments of our conversation with philosopher, writer, and teacher Marina Garcés. We talk about experience transmission vs models, paradoxes, counterpower and learning from each other.
We talk with philosopher, writer, and teacher Marina Garcés about education and knowledge, about the future, and about time as raw material. We consider the question of how to appear and think with others in this present moment, which demands our active involvement. We discuss the meeting of unequals, and the possibility of strangeness becoming a link. We also explore the logic of the sinking ship or “every man for himself” and the evolution of the words “disobedience” and “freedom”, which leads Marina to emphasise the importance of forming alliances rather than thinking from the reductionist position of unity. At the same time, she invites us to imagine how to weave together worlds that are falling apart.
When we chat to César Rendueles, the pages of his new book “Contra la igualdad de oportunidades. Un panflento igualirtarista” (Seix Barral, 2020) still smell of fresh ink. We talk about the myth of universal connectivity and technological dystopia. We touch on necropolitics, necroeconomics, and the importance of social ties in processes of social change. We go into museums, libraries, and schools to address the problems of public projects and the potential of egalitarian socialization and political imagination. We broach life and the market, work and care, health and business, meritocracy and privileges... to shed light on our shared fragility and our collective obligation to think about economics in a different way, accepting that we will never start from scratch.
We dig up some unreleased fragments of our conversation with the collective Laagencia, embodied here by the voices of Mariana Murcia, Diego García and Santiago Pinyol, that we were unable to include the first time around.
For the Columbian collective Laagencia, mediation and education are indistinguishable from artistic practice. Laagencia first opened its doors in 2010 in the Chapinero district of Bogotá, as an office for art projects with an exhibition space, run by Mariana Murcia, Diego García, Santiago Pinyol, Mónica Zamudio and Sebastián Cruz. Five years later it was rebooted as a collective thinking and study group open to methodological experimentation and informality, always looking for ways to organise new forms of “doing with others”. In this ensemble podcast, we talk with them about these ten years of "extitution"
Nora Sternfeld problematises the educational turn and talks about the crisis of the museum model, radical pedagogy, emancipatory practices and alliances, para-institutions, unlearning strategies and collective knowledge projected into the future.
Janna Graham talks about critical and radical pedagogy, about the educational turn, and about how pedagogical practices interact with cultural practices and social struggles. She discusses her experiences at different institutions, reflecting on the risk of the museification of activism in the midst of the neoliberal mélange, and talks about "parasitic" processes in the redistribution of cultural resources into social justice projects, and about the challenge of actively integrating the voices and demands of the marginalised groups that the museum works with.
Artist and researcher Olivia Plender talks about productivity and care, about suffragettes and museums, and about adolescence and schools. She looks at groups without charismatic leaders, embodied education, and the possibility of transforming errors in honest discussions.
Irit Rogoff talks about ways of creating participatory, creative, and cognitive alliances that allow us to critically inhabit contemporaneity. She also calls for the need to devise processes of unlearning, inside and outside the academy, that will pave the way to new and unexpected kinds of knowledge.
Nicolás Paris talks about his years as a teacher in La Macarena and his particular teaching method based on association. He also reflects on the importance of drawing in his work as a tool for projecting ideas, on architecture as a working method, on words as artistic material, and on thought as form.
Cuauhtémoc Medina talks about post-colonialism and fetishisation tactics, about the status of museums in global networks, about the role of the market as disseminator, and about how to fight – and try to finally win – the battle for cultural complexity.
Interview with Roser Argemí, the head of the Magnet Schools project at the Jaume Bofill Foundation, about the particularities of the Catalan model, the profile of the selected centres and the different types of alliances that are being formed.