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74
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39
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AVANT
26
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Interruptions
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VARIATIONS
16
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objecthood
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Lines of Sight
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Undead Matter
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Juan Muñoz
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television
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PARASOL ELEKTRONICZNY. RUMOURS FROM THE EASTERN UNDERGROUND
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Altars
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Ombres del progrés
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Creative Commons
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Deleted Scenes
123
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Chris Cutler
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Re-Imagine Europe
74
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MACBA Collection
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collection
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Transcript
44
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exhibition
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music
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music selection
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queer
37
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36
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35
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programme
34
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PROBES. Auxiliaries
34
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PROBES Transcript
33
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archive
30
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Roc Jiménez de Cisneros
30
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Bartomeu Marí
28
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Joe Gilmore
28
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MEMORABILIA
28
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sexual dissidence
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generative music
27
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education
26
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Mark Fell
26
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Sonic Acts
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cinema
25
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25
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24
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23
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22
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20
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Mix
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Jon Leidecker
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John Cage
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DIWO
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female producers
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Kenneth Goldsmith
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migra and coloniality
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sound + technology
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14 years + 14 memorable moments of RWM
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collective creation
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VARIATIONS
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Conversation
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voice
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choreography
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philosophy
12
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Interruptions
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poetry
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Desires and necessities. MACBA Collection
12
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RIP
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prepared instruments
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sound art
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water
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non-human
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2006-2016: our 10 most listened-to podcasts EVER
10
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politics
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Beatriz Preciado
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Fluxus
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Yasunao Tone
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art radio
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#poeticintention
10
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Manuel J. Borja-Villel
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African diaspora
10
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10
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Our most listened podcasts ever
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political imagination
10
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most listened podcasts 2019
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drawing
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Jorge Ribalta
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dance
9
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body
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working conditions
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Lines of Sight
8
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Barbara Held
8
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electroacústica
8
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field recordings
8
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sound poetry
8
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noise
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Barcelona
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Matías Rossi
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collector
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recession
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Decolonising the museum
8
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pedagogy
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Exclusivas
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New York
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2014bestshows
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Chus Martínez
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publication
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Felix Kubin
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Variations_transcript
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Broken Music
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AIDS crisis
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neoliberalism
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parenting
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Sophie J Williamson
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infrastructure
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global south
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Transcripció COMPOSING
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black queer
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toys
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summerishere
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objecthood
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Forensic Architecture
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educational-turn
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indigenous movements
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artist books
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migration crisis
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Audio_EXTRA
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degrowth
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soundscape
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Victor Nubla
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Franco Berardi "Bifo"
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Paris
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Serge Guilbaut
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José Manuel Berenguer
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process
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Capella MACBA
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conceptual art
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pirate radio
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industrial music
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Next Festival
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TV ON THE RADIO
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Ubuweb
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Lighthouse (UK)
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RADIO WAVES
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PARASOL ELEKTRONICZNY. RUMOURS FROM THE EASTERN UNDERGROUND
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Karo Moret
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permafrost
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Novachord
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Jara Rocha
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Richad Hamilton
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vinyl
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CharlesEsche
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Marcelo Expósito
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Van Abbemuseum
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Carolina Caballero
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pop art
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documentary
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Tape Music
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cassette
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document
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Salvador Dalí
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random
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940 results
In this podcast, images are a device for weaving complex relationships, with agency and a host of constituent agents that modulate their meaning. Visual artist and researcher Ona Bros charts an almost chronological story of her life, in which babbling, impropriety and questioning sustain other imaginaries and other ways of being and relating. Direct action, images that stain, ethical porn, gestating bodies and communities of ice create space for the constant sense of not belonging and the need to sustain life.
In this first episode, we revisit the early days of Video-Nou and its connection with other artists who were also starting to work with video in Catalonia. Hand in hand with Lluïsa Roca, Luisa Ortínez, Xefo Guasch and Carles Ameller, we look at the collective’s relationship with the counterculture, the underground, and libertarian movements. And we consider the particularities of video as a tool for documentary, communication, creation, and protest, with special attention to its uses within the political and social context of the period of the Spanish transition. We explore strategies such as feedback and counterinformation, and we get a behind-the-scenes insight into the making of Video-Nou’s first projects: Gràcia. Espais Verds (February-March 1977) and Campanya política per a la Lliga de Catalunya (April-May 1977), better known as the Video-Bus.
We dig up some unreleased fragments of our conversation with Chilean writer, editor and academic Macarena García, which we couldn’t include the first time around. Macarena talks about her interest in observing and analysing how processes and consensuses in culture, society, ethics and politics are put to the test in the field of childhood studies. She focuses on artistic expressions such as the case study of children’s literature, and more specifically scrapbooks. We also chart a brief genealogy of picture books and the many narrative strategies that issue from it: from challenging books to non-educational relations between text and image, and the figure of the ellipsis.
In this podcast, we open up a glossary of concepts that affect and leave their mark on Kathrin Böhm's many constellations and collective projects. From the notion of compost—which triggered a radical shift in her way of working and interacting with her material archive in recent years—to a reassessment of the very idea of economy, which, as Katherine Gibson writes, helps us discern spaces of value production that are not immediately apparent. We talk about how these other strategies and ways of doing things lead us to qualify and problematise alternative ways of understanding social and/or participatory practices, and even to read the idea of community critically.
In this podcast, cultural manger and mediator David Yubraham Sánchez expands on critical thoughts formulated in educational spaces, in constant conversation with others—an exercise in examining racist and colonial patterns in order to dismantle fictitious equivalences in the name of diversity. Thinking-by-doing—with collective work as his main methodology—gives rise to a profusion of tips, strategies and objectives to guide the work of anti-racist mediation, education, and cultural programming. This involves problematising the hollowing out of rights and cultural policies, identifying absences and erasures in democratic memory and national heritage, and implementing the political practice of listening.
We dig up some unreleased fragments of our conversation with choreographer, performer and artist Itxaso Corral, which we couldn’t include the first time around. With Itxaso, we embrace the complexity of being-and-doing-with-others, and we look inside some of the notions that underlie her thinking-by-doing: hijacked words that can be set free, such as tenderness, naivety, empathy, modesty and cringe. We also open up a host of questions—poetic, political, and convivial—in order to spend some time with them, leaving them unanswered. How far do things go? Is reading a text just reading a text? Does a written text remain only on the page? Is there no vibration? Who is legitimized, and to say what? Which things are accepted as legitimized and which are left out? Do I seem to be alone? Where can we come together?
Carlos Motta sees his research as a potential space of enunciation from which to act as a counterweight to the prevailing narratives—a positive gesture of recognition of social groups, identities and communities whose voices have been suppressed by the dominant colonial power. His radical multidisciplinary practice and his use of a range of media—from video to installation, sculpture, performance and drawing on paper—make him hard to pin down. He also focuses on interaction with others, in ensemble works involving orality, documentary, curating, and even organizing public programs and symposia. In this podcast, we talk to Carlos Motta about art, politics, the market, and working conditions.
Hamja Ahsan is a British artist, writer, curator and fanzine enthusiast. He is known for his raw critique of dominant culture and power structures, particularly in the context of cultural representation and identity. In this podcast, we talk Hamja Ahsan about the language of Shy Radicals, about neurodiversity and Islamophobia, and about the fictional utopian shy people’s Republic of Aspergistan. But also about fried chicken. Yes, mostly about fried chicken, really.
In this podcast, Françoise Vergès unpacks the social and environmental politics of cleaning and waste, charting and questioning temporal and spatial interactions that create a neutral site of deprivation, exhaustion and exploitation. She sheds light on the economy and politics of exhaustion, pointing out the role of racial capitalism in the climate crisis. Vergès suggests a political re-reading and understanding of vital needs and natural elements through notions of cleaning, hygiene and medicine, and raises revolutionary questions about the prefabricated assumptions of justice and social transformation through re-thinking the museum.
In PROBES #37.2, crooners, experimental artists, and rock legends exchange notes at their EA (electricionists anonymous) meeting on their mutual dependency on microphones and loudspeakers (feedback welcome).
In this podcast, we talk to Chilean writer, editor and academic Macarena García about her working methods with children in schools and other shared educational spaces. We talk about challenging picture-books, about fascination and overflow as tools for collective transformation, and about what happens to bodies when they are together. We also explore the workings of censorship and how children’s literature approaches subjects such as death, sex, racism, dictatorship, feminism, gender identity and the climate crisis.
Through media such as lectures, performance, video, drawing, installation, and sculpture, Haig Aivazian’s multifaceted works intricately blend the personal and the geopolitical as well as micro and macro narratives. They uncover or perhaps even fabricate complex threads, timelines and visual networks with multiple layers of meaning and ambiguity. His stories are intended to puzzle, reveal intangible connections, and evoke a sense of ghostly friction among conflicting ideas. In this podcast, we talk to Haig Aivazian about counter-propaganda, sports, blackouts, Palestine, fugitivity and what he calls “the dumping grounds of democracy”.
We dig up some unreleased fragments of our conversation with environmental historian, researcher and writer Troy Vettese. We talk about Animal Rights activism, pet ownership, golf and the urgent need to go from critique to action.
In PROBES #37, we consider the revolution ushered in by the thermionic valve and, in particular, the disorienting but transformative changes electrical amplification brought into a world until then predicated solely on acoustical laws. We then examine the cybernetic entanglement of its mirrored portals (the microphone and the loudspeaker) through the generative instability of feedback which, it turns out, has accessible expressive powers...
We dig up some unreleased fragments of our conversation with poet, activist, sound artist, sound sculptor and curator Antye Greie. We unpack some of her strategies to deploy what she calls "feminist sonic technologies". And we do so, starting with her own understanding of unlearning.
Lydia Ourahmane is an Algerian-born multidisciplinary artist who has spent much of her life in the UK. In her installations and interventions, the notions of object and subject—considered separate in Western thought—converge and dialogue between the public and private, the alien and borrowed, migration and extractivism, everyday life and the affective materiality of things. In this podcast we talk (in total darkness) to Lydia about her relationship with echo as a phenomenon for the creation of negative space, about listening as a trigger for singular experience. We also talk about her connection to spirituality through her family experience, a community persecuted for its faith in her home country. Finally, we hear some open questions about the idea of home, belonging and freedom, and about the miraculous, the unexplained and the absolute.
In this podcast, we talk to Gabriel Chaile about slowness as a space of resistance, about the austere and changing bodies of his functional sculptures, and about poverty, memory and oblivion. Following the rhythm of his own life, we travel from the shores of Tucumán to the centre of the contemporary art world and the international scene. And along the way, we discover and lay the first stones of his Centro Cultural Ambulante [Travelling Cultural Centre], which is not really a space but a beacon calling for an attitude to life and connection with others.
In this podcast, we talk to Cornelia Sollfrank about art, technology and gender, and about performance, bodies and networks. We go back to the very early days with collective projects such as Frauen und Technik and OBN—groundbreaking experiences in which the screen opened up to make way for this other enormous, virtual space to be inhabited. A wealth of practices, projects and experiences—which she now refers to as techno-feminism—in a career that has led her to explore the commons, organizational aesthetics, and the role of the law and of copyright in defining (or not defining) where an original work of art begins and ends in the digital realm.
Recuperamos fragmentos inéditos de la conversación con el artista catalán Bernat Daviu, que no pudimos utilizar en su momento. Hablamos del dentro y del afuera del museo y de la activación de su pieza en la Colección MACBA, "Stanza". También hablamos de costura, piezas de ropa que rinden homenaje a otros y de auto-aprendizaje. Y finalmente, de obras que se dinamizan y que adquieren sentido por la manera en que nos ponen en relación con otras. Por el camino, se nos aparecen algunos cómplices habituales, com Miralda y Enric Farrés Duran.
Artist Lucía C. Pino approaches her sculptural work as a conversation with the materials, the media and the surroundings—in relation to where they come from as well as the place they will occupy—, emphasising their performative aspect and their interdependence with her every move. It is a practice that is not easily defined, permeated by a wide range of interests, influences and concerns, among which Lucía includes the rituals of reading, writing, and doing-with-others. In FONS ÀUDIO #58, Lucía C. Pino presents Non-Slave Tenderness, 2018.