28/08/2009 59' 51''

Curated by Jon Leidecker

+ info: Transcript

As the sixties came to a close, the progressive optimism of World music collages were met and tempered by a new strain of self-examination and critique. Composers shifted away from using obscure, generic, or safely public domain sources for their pieces, and began to work with instantly recognizable samples from commercial pop music on a much wider scale. As the focus turned from global to cultural, Utopian visions gave way to a pragmatic sense of musical research and development. This episode documents the collages of the 70's that began demolishing the distinctions between art and popular music, from concrète to dub to disco to the attention-deficit-disordering world of FM radio.

Share
ResearchVARIATIONSJon Leidecker Holger CzukayThe ResidentsThe BeatlessamplingsoundcollageVARIATIONSWobbly